Wednesday, June 27, 2007

Diana Ross BET AWARDS report!!


so...yes! some of you have seen what I saw...THE LADY
IN RED! (the dress in which she sang "He Lives In You"
on Oprah)

I'm on my Mac at home...so, it doesn't do my colors &
fonts, but there's really nothing to add to Lady Ross
holding even THAT AUDIENCE CAPTIVATED! Mind you, the
youth music thing was shoved down our throats...but,
after Robin Thicke slowed it down a bit and made it
all much more LISTENABLE...well, then

Mo'Nique gave it up to "The Boss"...and the video
montage was spellbinding. I was sitting stage
right...whereas Diana and her brood were all stage
left. I could see her from time to time rockin' out
to the young music + rappers. I was SO PLEASED at her
tribute...they really did her right. And having her 5
children + her looking SO YOUTHFUL & EXUBEREANT! It
was very interesting seeing even the so-called
"gangsta rappers" rockin' out to Chaka singing "I'm
Coming Out" - I had to chuckle to myself
thinking...are some of them on the "down low"...?? I
thought Erykah did a phenomenal rendition of "Love
Hangover"...and moving like a young Ross in the big
wig + hoop earrings.

But, to see Ross speaking SO CLEARLY +
CONFIDENTLY...well I am just so fortunate to be a fan
of this woman. I got teary when I heard her give it
up to Mary...as I feel Diana realizes it is much later
in the game now...and to hell with the past. Perhaps
she & Mary can find peace in some way working together
or helping others together. But, hearing her speak
Mary's name...so sisterly and poignantly was CHURCH!

Right after her tribute, I was whisked backstage...and
met up with Ross' publicist whom I had met in NYC. As
I thought, Diana did not do any press...but, climbed
into a waiting limo with her award and scooted on back
to West Hollywood. Her brother Chico was
backstage...with a couple of kids and her 5 had taken
their own forms of transportation and were all making
their way out of the back parking area of The Shrine
Auditorium.

I ended the evening having a nice dinner with my hosts
(some of the inner circle of Stevie Wonder's
entourage) and was regaled with stories of the old
Motown days and encouraged to pursue a couple of my
own ideas about the magic of Liviin', Lovin' &
Givin'...its so nice to know Mama Ross is A-OK!!

I will sleep so comfortably & soundly tonight!

If there's a cure for this...

Think peace.
Be well.

bernard

Sunday, June 24, 2007

Trevor (Diana Ross)

Thursday, June 21, 2007

BET AWARDS with Diana Ross


Place Your Bets On The 'Main Event'; BET AWARDS '07 Announces the Ultimate Lineup!
Beyonce', Diddy, Robin Thicke, Keyshia Cole, Rihanna, Alicia Keys, Gladys Knight, Kelly Rowland, Chaka Khan, Erykah Badu And Fabolous Set to Appear at Bet Awards '07, Live on June 26
By PR Newswire
LOS ANGELES, June 21 /PRNewswire/ -- BET '07 AWARDS is poised for the ultimate battle royale when its all-star lineup with the biggest records of the year go all out at the Shrine Auditorium on Tuesday, June 26. Sparks will be flying throughout the three-hour live telecast, beginning at 8 p.m. ET/7 p.m. CDT (tape delayed in the Mountain and Pacific zones) as legends and A- listers crowd the dazzling talent roster.

Newly-added big name celebs scheduled to appear or perform include: mega- star Beyonce', hip-hop mogul Diddy, R&B divas Keyshia Cole, Kelly Rowland, and Alicia Keys, chart-topping ing??nue Rihanna, legendary singers Gladys Knight and Chaka Khan, sultry crooners Robin Thicke and Mario, soul maven Erykah Badu, rap stars Nelly and Fabolous, actress Vivica A. Fox, funnyman Charlie Murphy, activist/political leader Al Sharpton, hip hop activist/rapper Chuck D, American Idol Jordin Sparks, writer/director/actor Tyler Perry, movie stars Nick Cannon, Michael Clark Duncan and Henry Simmons, and NFL superstar Reggie Bush.

They join previously announced show talent T.I., 50 Cent, Ne-Yo, Ciara, Terrence Howard, Queen Latifah, Yolanda Adams, Tyra Banks, Katt Williams, Big Boi of Outkast and Floyd Mayweather, Jr.



Advertisement

This year's show is justifiably being billed as "The Main Event" as the popular Mo'Nique is back to host the telecast for an unprecedented third time. With such a knock-out line up, the stage is set for a telecast that will keep viewers locked from the opening act until the final curtain falls. As always, BET can be counted on to deliver some of television's most memorable moments, including special tributes to the late James Brown and Gerald Levert as well as a not-to-be-missed opening act.

"We've built a brand by having the most dazzling opening performances in all Awards shows," said Stephen Hill, BET AWARDS '07 executive producer and BET EVP of Music Programming and Talent. "This year's open will simply and sensationally stun. Sometimes we tell you what'll stun, like last year's grand opening with Beyonce'. Others we sneak on ya, like 2005's reunion performance from The Fugees. We're choosing 'sneak attack' this year, but trust me: you don't want to get to your TV at 8:02 p.m. ... .. for real."

BET will also honor Diana Ross, the icon of Motown style with BET's Lifetime Achievement Award for her four decade long, accomplished career in popular music. Additionally, beloved and accomplished actor, Academy Award nominee Don Cheadle will receive the BET Humanitarian Award for his efforts in Darfur and fundraising for the African AIDS epidemic.

BET is the only award show that recognizes the achievements of music artists, entertainers and athletes in 14 categories; this year's nods for best-in-class performances go to Beyonce' with six nominations, followed by Jay-Z, Ciara, Jennifer Hudson, Akon and Gnarls Barkley among others.

Encore telecasts of the BET AWARDS '07 are set for: Friday, June 29 from 8 - 11 p.m. ET/PT Sunday, July 1 from 8 - 11 p.m. ET/PT; Wednesday, July 4 from 8 - 11 p.m. ET/PT; Friday, July 6 from 8 - 11 p.m. ET/PT; Sunday, July 8 from 8 - 11 p.m. ET/PT; and Saturday, July 14 from 8 - 11 p.m. ET/PT.

ABOUT BET

BET Networks, a subsidiary of Viacom, Inc. (NYSE: VIA and VIA.B), is the leading provider of media and entertainment for African Americans and consumers of Black culture on a global basis. The primary BET cable network reaches more than 84 million households and can be seen in the United States, Canada and the Caribbean. BET Digital Networks - BET J, BET Gospel, and BET Hip-Hop - are brands that combine to serve a broader and more diverse audience than the core network. BET.com is the number one Internet destination for their target audiences. BET Mobile delivers music, gaming, and video content to the target audiences on wireless devices across virtually all service providers. BET Event Productions is a full-scale event management and production company with festivals and live events spanning the globe. BET International delivers BET content to the consumers of Black culture around the world. BET Networks inspires its audiences to make a difference in their lives and communities with a series of impactful and pro- social initiatives under the Touch BET umbrella.

SOURCE BET Networks

Copyright 2007 PR Newswire. All Rights Reserved

Monday, June 18, 2007

Diana Ross's "Last Time I Saw Him" NOW ON CD!!


Diana Ross
Last Time I Saw Him: Expanded Edition 2-CD set




Last Time I Saw Him – Original LP, Motown 812, December 1973
1. Last Time I Saw Him
2. No One’s Gonna Be A Fool Forever
3. Love Me
4. Sleepin’
5. You
6. Turn Around
7. When Will I Come Home To You
8. I Heard A Love Song (But You Never Made A Sound)
9. Stone Liberty
10. Behind Closed Doors
11. Last Time I Saw Him – Japanese Quad Edition
12. No One’s Gonna Be A Fool Forever
13. Love Me
14. Sleepin’
15. You
16. Turn Around
17. When Will I Come Home To You
18. I Heard A Love Song (But You Never Made A Sound)
19. Stone Liberty
20. Behind Closed Doors

First Time I Saw Him – Unreleased Bonus Tracks
1. I’ll Be Here (When You Get Home)
2. Why Play Games
3. I Don’t Care Where The Money Is
4. Get It All Together
5. Where Did We Go Wrong Version 1
6. Since I Don’t Have You
7. Let Me Be The One
8. I Wanna Go Back There Again
9. Old Funky Rolls Alternate
10. Last Time I Saw Him Unedited Version Price: $29.98
Buy Me


RELEASE DATE: June 18 2007
CD Edition limited to 5000 limited edition copies

The first 500 customers to purchase directly from Hip-OSelect.com will receive a limited edition Motown pin. This pin is exclusive to our site and will automatically be added when you make your purchase. The pin is pictured here:

Last Time I Saw Him, a classic Diana Ross album overlooked in the digital era, finally makes its CD debut.
Recorded and released in 1973, Last Time I Saw Him, with a title track written by Michael Masser and Pam Sawyer, was the follow-up to Diana’s No. 1 Touch Me In The Morning. Masser, the Four Seasons’ Bob Gaudio and Motown’s own Ron Miller and Tom Baird contributed to the LP; one of Baird’s tracks, “Turn Around,” written by Harry Belafonte, was a holdover from a previously unreleased album.
“Last Time I Saw Him,” the title track, shot straight up to the top of the Adult Contemporary chart while making a respectable splash in the Pop & R&B top 20. However, the album and its subsequent single releases failed to make its expected impact. With Diana working on her second film, Mahogany, and with additional projects taking precedent, the album faded away.
Hip-oSelect.Com now presents the original album remastered, the ultra-rare Japanese Quadraphonic release, TEN previously unreleased bonus tracks from the sessions, and the unedited version of the title song. It’s all packaged with a beautiful booklet that features detailed recording data and a new essay by Motown chronicler Andrew Skurow.
The 10 unreleased cuts include original songs, and stellar covers of the classic Skyliners’ hit “Since I Don’t Have You,” the Carpenter’s “Let Me Be The One,” the Motown underground favorite “I Want To Go Back There Again,” and an early version of Diana’s own “Where Did We Go Wrong.”

DID you know… “I Want To Go Back There Again” uses the same track as the previous version by Thelma Houston. Its producer, Hal Davis, went on to produce Ross’s “Love Hangover” and Thelma Houston’s “Don’t Leave Me This Way” – which, in classic Motown coincidence, was originally assigned to Miss Ross.


Price: $29.98
Buy Me


More Diana Ross www.dianarossfanclub.net

Wednesday, June 13, 2007

20 People Who Changed Black Music: Motown First Lady Diana Ross, the Quintessential Diva

For musicians, songwriters and fans across the country, Diana Ross - with her high-pitched voice and hair-out-to-there - is still America's quintessential diva.

"I'm comfortable with money," Ross once said, "and it's comfortable with me."

From her memorable 1983 Central Park concert where she performed in driving rain, to the wild mane that made her famous, Ross is in a league of her own, a true mega-star in a field of celebrity entertainers.




Her flamboyant style, diva persona and straight talk is legendary.

"Just because I have my standards," she said, "they think I'm a bitch."Perhaps.

Once, the story goes, Ross was performing in Atlantic City, an errand boy who had gotten her a pizza, excitedly said, "Diana, it's such an honor to serve you," and she responded, "Please, call me Miss Ross!"

Talk in the 1960s focused on her relationship with Motown Records founder Berry Gordy, Ross' mentor and the man who guided her incredible career.

Trading the humble Brewster Housing Projects for penthouse suites, draping herself with silk and jewels and replacing bus seats with limos, Ross was a public figure in Detroit's 1960s but she tried to maintain her privacy.

"I know that my fans want to know who I'm sleeping with," she once said, "but it's really none of their business."

She was once arrested and taken off her Concorde flight for assaulting a female security officer at London Heathrow airport.

In the '70s, according to media reports, Natalie Cole visited Ross backstage and started playing her piano, getting applause from her crew, prompting Ross to tell her assistant, "Get that woman off my piano!"

The "D" in Diana could just as easily stand for "drama."

While filming the 1975 film "Mahogany" in Rome, according to news stories, director Berry Gordy kept pushing a pregnant Ross for take after take, but she had enough, the story goes, and slapped Berry so hard his glasses flew across the room, stormed into her trailer with assistants in tow, and jumped on the next flight to Los Angeles. A body double had to complete her scenes. But through all the antics, Ross has enjoyed a phenomenal music career spanning more than 40 years. She has proven to be one of the most popular and multi-talented female singers of all time.

"Diana Ross was ahead of her time with respect to having a vision of becoming an independent artist who capitalized on her brand," Keith Murphy, host of Urban Journal on XM Satellite radio, 169 The Power, told BlackAmericaWeb.com.

"Diana Ross took heat for stepping out from The Supremes and going solo, but she set the bar for other African-American women and their careers in music and she influenced many artists along the way," Murphy said. "She was also accepted by white America and was one of the first crossover artists who enjoyed crossover success."

Murphy said Ross was also able to market her acting talents in Hollywood and proved her acting abilities in movies like the critically-lauded 1972 hit, "Lady Sings The Blues," in which Ross was widely praised for her leading turn as the tragic singer Billie Holiday, a role that landed her an Academy Award nomination.

"She had no acting experience, just God-given talent," Murphy said. "She is a true diva."

Born Diane Ernestine Earle Ross in 1944 in Detroit, Michigan, the second of six children born to Fred and Ernestine ROss, the musical performer spans a genre of music from disco to R&B. After being raised in housing projects for most of the late 1940s and early 1950s, Diana started singing in the gospel choir of a Baptist church.

She began her professional career as the lead singer for the seminal all-girl group, The Supremes, when she was introduced to Motown executives by Smokey Robinson during an audition at Motown in the 1960s.

From 1965 to 1969, The Supremes had a string of number-one records that helped secure the Motown sound on its pedestal in black music history, mainly thanks to Ross' engaging presence and vocal talent. In late 1969, Motown Records founder Berry Gordy announced that Ross would be leaving the group for a solo career.

Venturing the music scene solo, Ross became the first female artist to gain six number-one hit singles.

"There has never been a musician such as Diana who has been able to capture the ears of many," Tony Pink, a fan of the Ross for many years, told BlackAmericaWeb.com. "She was able to entertain many people of all ages."

Ross was a millionaire while still in her teens, but in 1981, she became "a walking corporation," according to Essence icon Susan L. Taylor, "controlling her own management, film and music production, and music publishing." She was also, in Taylor's words, "an international megastar."

In the early decade of her career, Ross became the most successful female musical artist. Her accomplishments and awards include the Tony Award for the best musical special "An Evening with Diana Ross," a Golden Globe in 1972 for her role in "Lady Sings the Blues" and seven American Music Awards.

By the late 1970s, the critically famed artist was named female entertainer of the century by the Billboard Magazine, fueled by hits such as 1973's "Touch Me in the Morning," "You Are Everything" (with Marvin Gaye) in 1974; 1975's pensive "Theme From Mahogany (Do You Know Where You're Going To)" and the disco smash, "Love Hangover" in 1976.

The 1980's brought a succession of chart-topping LPs from Ross like "Why Do Fools Fall in Love," "diana" and "Swept Away," bouyed by popular singles that include the hits "Upside Down," "I'm Coming Out," "It's My Turn," "Endless Love" (with Lionel Richie) and "Missing You."

Later, in 1993, she was feted as the most successful female music artist of the 20th century by the Guinness Book of World Records, with a total of 70 charted hits in the United Kingdom.

Ross has received many prestigious awards, including The Soul Train Legend Award and the French Commander des Lettres medal, and she was honored with an entire day of celebration at the international MIDEM music festival in the South of France. As the honoree, she became the only woman to receive such an honor in the 25-year history of the event.

The proud mother of five was again honored in France last year when she received the Medaille de Vermeil de la Ville de Paris (City of Paris Medal), the city's highest award, given to those who have played a positive role in favor of the Parisian community.

William Ruhlmann, a writer with All Music Guide, said "Diana Ross is a leader, gifted, talented; the spirit, power and history of American soul music condensed into one voice."

With all the awards gained, Ross contributes her time to many organizations. She became the spokesperson for National Children's Day. She is also on the board of A Better Chance, the only national program that recruits and places academically talented inner-city children in the nation's best preparatory schools.

In her efforts to help communities across the country and throughout the world, she has raised millions of dollars for the numerous charities to which she has lent her name. Her efforts have earned her much deserved recognition as a woman of strength, integrity and above-all, concern.

In 2004, McNally Smith College of Music honored her by the establishment of a full four year scholarship in her name. The Diana Ross Performance Scholarship is awarded each year to an outstanding student who is pursuing a Bachelor of Music degree.

South African President Nelson Mandela invited her to sing at the opening of his country's Sundome, which is the country's largest purpose-built indoor arena. After their first meeting, Mandela said Ross was "someone who always seems to be running, never walking. She is an inspiration to us all."

From her early years as a Supreme, Ross has become a legend throughout the world. In her memoir, "Secrets of a Sparrow," Ross talks about being a performer and the blessings she has received, "It's been fun - the complexity of being a black female performer, having my own business and being strong and decisive."

Today, after more than four decades, Ross has continued to produce an endless stream of chart singles and sell-out tours.

"It is that love of life, that never-ending wonder, the appreciation of goals and achievements and sheer human spirit which defines the artist that is Diana Ross," Ruhlmann said, "and continues to make her one of the most identifiable, unique, beloved and influential singers of successive pop generations."

Friday, June 08, 2007

DIANA ROSS TO PERFORM PRIVATE CONCERT IN HAMPTONS TO BENEFIT THE


"An Evening Under the Stars" is THE Most Anticipated Event this
Summer!


(Quogue, NY – June 7, 2007) – Legendary artist and superstar Diana
Ross will perform a private concert for the guests of An Evening
Under the Stars benefiting the Diabetes Research Institute (DRI) on
Saturday, August 25th in Quogue. Generously underwritten and hosted
for the second year by Jill Viner and Cliff Viner in their beautiful
beachside home, this extraordinary fĂȘte will feature an unforgettable
gastronomic experience presented in a dramatic oceanfront setting.
Miami-based event virtuoso Barton G. will again conceive, design and
produce the entire affair, which promises to be even more ultra-
fabulous than last year.

"I have been so impressed with the Diabetes Research Institute, but
we still need to help the scientists find a cure. For me, it?s
personal; I have a brother who has diabetes," said Jill Viner, who is
a member of the DRI Foundation?s National Board of Directors. "I
started thinking about what I could do and then I spoke with Barton,
whom I?ve worked with for years. We came up with the idea for this
event last year, and I?m happy to be hosting it again this summer."

A minimum donation of $750 per person is requested, and attendance is
by invitation only and is non-transferable. Sponsorship opportunities
are also available from $5,000 to $50,000, several of which include a
private reception with the artist.

Proceeds from the event will support the Kids PumpED project at the
DRI, a program designed to help children with type 1 diabetes better
manage their disease with the newest technological tools, education
and management techniques.

"We're excited and pleased to have the Diabetes Research Institute
Foundation as the beneficiary of such a high-profile and special
event. We're thankful to Jill Viner and Cliff Viner and Barton G.
Weiss of Barton G. for their effort and support in putting this great
evening together," said Robert A. Pearlman, president and CEO of the
DRI Foundation. "The willingness of such extraordinary people to give
of themselves is further evidence that the Diabetes Research
Institute Foundation is truly the organization of choice for people
searching for a cure for diabetes."

For more information, please call the Diabetes Research Institute
Foundation at 212.888.2217.



About the Diabetes Research Institute and Foundation

The Diabetes Research Institute Foundation is a not-for-profit
organization whose mission is to provide the Diabetes Research
Institute at the University of Miami with the funding necessary to
cure diabetes through islet transplantation and other cell-based
therapies.

The Diabetes Research Institute is a recognized world leader in cure-
focused research. Pioneering many of the techniques used in islet
cell transplantation since the early 1970?s, the DRI has successfully
reversed diabetes in patients involved in ongoing clinical trials.
DRI research is now directed at improving transplant processes and
developing new biomedical technologies and cell-based therapies to
restore insulin production. For the millions of families already
affected by diabetes, the Diabetes Research Institute is the best
hope for a cure. For more information, visit www.diabetesresearch.org
or call 1-800-321-3437.



About Barton G.

Founded in 1994 by Barton G. Weiss as an events production company,
Barton G. quickly emerged as an international leader in the industry.
Today, the company has expanded to include Barton G. The Restaurant,
one of South Beach?s most desirable dining destinations, off-premise
catering, exclusive venues and destination management services.
Always, the Barton G. signature is characterized by the delivery of
memorable multi-sensory experiences. For more information about
Barton G., visit www.bartong.com or call (305) 576-8888.

Thursday, June 07, 2007

Diana Ross related news!! 20 People Who Changed Black Music: Smokey Robinson, the Velvet Voice and Quiet Force


By MONICA LEWIS
BlackAmericaWeb.com

When you think of Motown, the legendary music label that defined an entire era, a few names come to mind.

Yes, Diana Ross exemplified glitz and glamour; Marvin Gaye oozed sensuality, and Berry Gordy, Jr. was the bona fide boss. But Smokey Robinson was the label's true Renaissance man. Robinson could just as easily belt out a hit, identify an up-and-coming act or pen a tune that would quickly rise to the tops of the charts.

Al Payne, operations manager for Radio One's four-station cluster in Richmond, Virginia, said Robinson could be viewed as an architect of contemporary black music.

"I am amazed at how his music and business savvy seemed to create a blueprint that would be followed for generations to come," Payne told BlackAmericaWeb.com.

"We've all read about, heard about or experienced the marketing genius of Smokey and his Motown contemporaries," Payne added. "They shook up both the black and 'general market' charts with strings of back-to-back hits and paved the way for continued dominance of modern R&B music."

Dominate indeed. Robinson first stepped on the scene as a teenager, starting a group called the Five Chimes with some high school friends in Detroit in 1955. Two years later, the Five Chimes were renamed the Matadors and featured two new members, including his future wife, Claudette Rogers. Barely out of his teens, lead singer Robinson and the Matadors were headlining acts in local Detroit venues. By 1958 and with an emerging partnership with songwriter Gordy under his belt, Robinson had once again changed his group's name, settling on the Miracles. Singles had been issued on two labels, but Robinson was urging Gordy to start up his own.

In 1959, Gordy founded Tamla Records, which would eventually become Motown Records. The Miracles were among Motown's first signees, and Robinson was taking in all that he could from impresario Gordy. After the 1960 release of "Shop Around," the first Motown hit to reach No. 1 on the R&B singles chart and the label's first million-selling album, the Miracles were legitimate players in Motown. Robinson was named vice president of the label in 1961, a position he would hold for more than a quarter century.

In addition to recording a string of hits through the 1960s, including "You've Really Got a Hold on Me," "Mickey's Monkey," "Ooo Baby Baby," "The Tracks of My Tears," and "I second That Emotion," Robinson wrote and produced hits for other members of the Motown family. Without Robinson's talent and vision, Mary Wells may never have told us about unconditional love in "My Guy" and Marvin Gaye would never have had a hit in "I'll Be Doggone."

Robinson, who appeared in VH-1's biopic of The Temptations, was a major contributor to the group's success, serving as their primary songwriter and producer from 1963 to 1966. Favorites like "The Way You Do The Things You Do," "My Girl," "Since I Lost My baby," and "Get Ready" are synonymous with the sounds of Motown.

Mainstream entertainers like Bob Dylan and the late John Lennon were just as quick to praise Robinson as black fans and entertainers did. Dylan called Robinson, who has more than 4,000 songs to his credit, "America's greatest living poet." Lennon, who rose to fame as a member of The Beatles, said in a 1969 interview that one of his favorite songs was The Miracles' "I've Been Good to You."

Niecy Davis, assistant programs director for Radio One in St. Louis, said Robinson was - and still is - an innovator.

"He was a huge factor in the Motown sound," Davis told BlackAmericaWeb.com. "Smokey did a lot of the writing and what we now call A&R (for artist and repetoire) at Motown. He moved into management, and he's still doing it."

By the 1970s, Robinson wanted to leave the Miracles to dedicate time to family and business and focus on his solo career. His 1976 MP and single "Quiet Storm" was more than a song; it ushered in a new radio format -- a slow style of R&B that was a must for late-night listening. His other solo hits – 1979's "Cruisin," 1981's "Being With You," and "Ebony Eyes," a 1983 duet with Rick James are still jams that will make someone stop and sing along.

Today, Robinson is still a force in the industry. He was a featured judge in the most recent season of "American Idol;" he's proven that he's just as good in the kitchen as he is in the studio with SFGL Foods, a special brand of gumbo launched in 2004, and he was awarded a Kennedy Center honor in December 2006 for his contribution to the arts.

Robinson is a unique entertainer with whom today's artists and producers would have a hard time competing, Davis said.

"He is truly," she told BlackAmericaWeb.com, "a living legend."

Tuesday, June 05, 2007

Diana Ross spotted at Chow's




More news and pictures www.dianarossfanclub.net