Wednesday, November 14, 2007

Diana Ross At Dubai's Airshow Dinner



Legendary singer Diana Ross produced a memorable performance at the Dubai Airshow Gala Dinner entertained over 4,000 guests. The event was jointly organised by Emirates Airline, Dubai Duty Free and the Dubai Airports Company.

Ross was in Dubai to perform exclusively at the event. The audience included heads of state, government representatives, Airshow exhibitors, business representatives and media.

The Dubai Airshow Gala Dinner, which was one of the highlights of the Airshow’s 10th anniversary celebrations, was staged outdoors at the majestic Dubai International Marine Club.

During the evening, Shaikh Ahmed bin Saeed Al Maktoum, President of Dubai Airports Company and Chairman and Chief Executive of Emirates Airline and Group, presented the Dubai Airshow exhibitor awards.

Paul Griffiths, Chief Executive Officer of Dubai Airports, also provided guests a detailed update on the historic week at the 10th Dubai Airshow.

Following the speeches and award presentations, Ross, who looked stunning dressed in a shimmering white gown and boa took centre stage and opened the concert with the Motown classic ‘I’m coming out’. Guests flocked to the stage and were captivated by Ross’ impeccable voice, dynamic dancing and stage presence.

Ross also performed hits including ‘Ain’t No Mountain High Enough’, ‘Do You Know Where You’re Going To’, the theme song from her 1976 film ‘Mahogany’, and songs from her days in the Supremes. The legendary artist entertained guests for over an hour and ended the spectacular concert with a mesmerizing performance of ‘I will survive’.

Shaikh Ahmed bin Saeed Al Maktoum said: “Over the years, the Airshow Gala Dinner has attracted top international performers and has proven to be one of the most popular social events on the Airshow calendar. We were thrilled that Ross joined us for this special occasion, particularly as this year marks the 10th anniversary of the Dubai Airshow.”

Saturday, November 03, 2007

Wednesday, October 24, 2007

A Cellarful of Motown Vol.3


A Cellarful of Motown Vol.3
~ Various Artists (Artist)
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Track Listings
Disc: 1
1. You're Walking Out With My Heart - Holloway, Brenda
2. This Love Will Never Die - Miracles
3. Get Ready - San Remo Strings
4. Love Is Good - Marvelettes
5. Jealousy Is Creeping Up On Me - Contours
6. Easier Said Than Done - Edwards, Dennis
7. At The Go Go - Wonder, Stevie
8. Memories Of Her Love Keep Haunting Me - Spinners (2)
9. I'm In Love Again - Shorty Long
10. I Can't Let Him Go - Fair, Yvonne
11. Come On And See Me - Clark, Chris (1)
12. Never Give You Up - Blinky & Edwin Starr
13. Just Too Much To Hope For - Monitors (1)
14. Loving You (Is Hurting Me) - Fantastic Four (1)
15. SOS Girl In Distress - Johnson, Marv
16. Thief Of Love - Page, Oma
17. Too Young Too Long - Crawford, Carolyn
18. You Stay On My Mind - Paul, Clarence
19. Come Back My Love - Temptations (1)
20. Chance With You - Gaye, Marvin
21. Watch Your Step - Varo, Mike
22. Boy From Crosstown - Marvelettes
Disc: 2
1. We'll Keep On Rolling - Holloway, Brenda
2. I Can't Help Loving You Baby - Contours
3. I'm Here Now That You Need Me - Barnes, J.J.
4. Judge's Daughter - Originals (1)
5. Something About You - Dean, Debbie
6. Soldier Of Love - Four Tops
7. I'm Gonna Get You - Knight, Gladys & The Pips
8. Don't Stop Loving Me - Jo, Ivy
9. Sweet Sweet Love - Lollipops
10. I'm Doing The Best I Can - Walker, Junior & The All Stars
11. Cindy - Taylor, Bobby
12. Little Girls Grow Up - Marvelettes
13. Too Late I Learned - Spinners (2)
14. Beware Of A Stranger - Wright, Rita
15. You Took Me This Far Take Me All The Way - Starr, Edwin
16. Can I Get A Witness - Blinky
17. There's Always Room For Love In A Movie - Kayli, Bob
18. Farewell Is A Lonely Sound - Peterson, Paul
19. You've Made Me So Very Happy - Little Miss Soul
20. Honey Hut - Shorty Long
21. Honey Boy - Little Lisa
22. This Is Goodbye - Headliners (1)
23. Going To A Go Go - Holloway, Brenda & The Supremes

Detroit Street Named After Motown Legend




DETROIT (AP) — A section of the street where the Motown sound originated has been renamed for Berry Gordy Jr., the music label's legendary founder.

The Detroit City Council unanimously voted to give a section of West Grand Boulevard the name, Berry Gordy Jr. Boulevard, Councilwoman Martha Reeves said Wednesday in a statement.

Berry Gordy Jr. Boulevard will stretch west from the John C. Lodge freeway to Grand River Avenue. It includes the block where "Hitsville USA," Gordy's former home and Motown recording studio, stands.

A dedication ceremony was planned Friday.

"This is a dream come true for me, to succeed in a venture that has been in my heart since my days at Motown," said Reeves, an original member of the Motown group, Martha and the Vandellas.

Motown produced music icons such as Stevie Wonder, Diana Ross and the Supremes, The Miracles, Four Tops, Temptations and the Jackson Five.

Sunday, October 21, 2007

'Oo Baby Baby:' Motown's 50th launched with a high-spirited soiree


'Oo Baby Baby:' Motown's 50th launched with a high-spirited soiree
Susan Whitall / Detroit News Music Writer

A three-year Motown party kicked off Saturday night with a five-hour bash at the Detroit Marriott, as Berry Gordy Jr. and his Motown family gathered to toast the coming 50th anniversary of the now-legendary record company Gordy founded on the near west side.

"We're celebrating three things, one is Smokey (Robinson's) and my 50 years as great friends, also 50 years of the Miracles being together, and 50 years of Motown and what it meant to us and the world," Gordy said after dinner.

Detroit Mayor Kwame Kilpatrick addressed the audience. "I wasn't around when you were making all this music," he told the audience, which included the original Miracles. "Good thing you put it on vinyl! I was dancing in the living room with my mom." He also thanked Smokey Robinson for the song "Oo Baby Baby" and those "blue lights in the basement" parties, "Because I think it's the reason I'm here."


Among the assembled were Detroit City Council member Martha Reeves; the Velvelettes; songwriter/producers Brian and Eddie Holland; former Motown sales executive and president Barney Ales; producers Robert Bateman and Clay McMurray; former executive Billie Jean Brown; secretary and songwriter Janie Bradford and Motown's A&R director Mickey Stevenson.

Smokey Robinson reunited onstage with his surviving Miracles -- Bobby Rogers, Claudette Robinson and Pete Moore (Ronnie White died in 1995) -- for the first time since Motown 25, he reckoned, to sing "Tears of a Clown."

Later Robinson sang a song he'd composed about his friendship with Gordy.

"It's a love story between two straight guys," Robinson said, to startled laughter.

His friendship with Gordy was based on love, Robinson explained, but the two are also fierce competitors.

In fact, Gordy beat Robinson in golf recently, and when the Motown boss gave a brief speech about Motown's plans for the coming three years, he gleefully mentioned the win.

A shout could be heard from Robinson's table.

"What? That had to be Smokey," Gordy said.

"Tell the truth!" someone yelled.

"Who are you?" Gordy demanded, peering at the heckler. "OK, so he beat me at chess. But golf is his favorite sport, and I beat him at golf."

After Robinson finished his song, he came over and hugged Gordy for what seemed like 5 minutes, broke the hug, then started hugging him all over again.

"He wouldn't let me go!" Gordy joked afterward.

Also in town for the weekend's events was Suzanne DePasse, the producer of Motown 25 and all the other Motown reunion TV shows, as well as "The Temptations" movie. The Los Angeles-based writer/producer was sitting at the main table with Gordy and Robinson. She explained why it was so important that a documentary film on Motown based upon Gordy's own memories should be done.

"He's been silent for so long, and with 'Dreamgirls' (which fictionalized Motown's history) and a lot of other stuff, that intimate first person narrative is what's been missing. This is the perfect occasion for us to bring it forward, next year."

DePasse said that there will also be a feature film on Motown, a stage musical and the '80s Motown reunion shows will be released on DVD.

"And there's a big concert we're looking at doing, possibly in China, celebrating the music around the world."

Teena Marie, the diminutive, funky singer who invigorated Motown in the '80s with Rick James and on her own, served as the main entertainment.

She performed some of her early songs, like "I'm a Sucker For Your Love" and "Square Biz," and did an homage to her mentor Rick James that had her Motown colleagues all up and dancing.

On Friday, Motown alumni gathered at the Motown Historical Museum on W. Grand Blvd. for a ceremony marking the designation of a section of the byway "Berry Gordy Jr. Blvd." That night there was a jam session at a Southfield jazz club, where etiquette teacher Maxine Powell boogied as Motown guitarist Dennis Coffey played "Scorpio." Gino Parks performed a smoking "Money," the Gordy-written song first done by Barrett Strong in 1960, and later Councilwoman Reeves could be seen doing the Funky Chicken.

Gordy told the audience that he walks every morning, and on Saturday morning he'd walked up and down the new River Walk outside GM world headquarters and the Marriott, and was impressed with what he saw.

"I was happy to see Saint Antoine street, I was raised on Saint Antoine and Farnsworth," Gordy said. "Detroit is a wonderful, wonderful place."

Offstage, Gordy elaborated. "Being born in Detroit was a very big blessing for me," Gordy said.

"No, really! We were stronger than other people! Just getting to work, cleaning your tires, getting the chains off when we finally got to work, we'd already done half a day's work! When we went around the country and the world, we found out that our team is stronger, we're smarter, because we'd gone through a lot of stuff."

You can reach Susan Whitall at (313) 222-2156 or at swhitall@detnews.com

The Brilliant Lecture Series – With Diana Ross


The Brilliant Lecture Series –

Conversations with Brilliance was launched in October 2006 with a hugely successful lecture featuring Her Majesty Queen Noor of Jordan, and we followed this with Sir Sidney Poitier in February and Secretary-General Kofi Annan last month. Over 10,000 people attended these lectures, held in Sarofim Hall at the Hobby Center, of which a good 55% to 60% were students and their families.
Each speaker will take the audience on a journey of their life by presenting their life in the form of a story for 45-50 minutes. After the lecture, the speaker will take questions from the audience (8-10). This is the first time she has agreed to participate in a lecture series. Diana Ross is not on a speaker circuit, so we are very excited to hear what she has to say. Each VIP patron will participate in a pre-VIP reception (starts at 6:00pm), and have the opportunity to meet Diana Ross, photo with Diana Ross and receive an autographed copy of her book after the reception you will attend the lectures with priority seating.

We are taking reservations for ticket because of the high demand, the tickets will be sent mid November 2007. FYI: The Hobby Center for Performing Arts in located downtown Houston, conveniently located near many hotels.

Once again, we are only selling VIP Patron tickets at this time ($200.00). General tickets will not be available until the first of December 1, 2007.

Thank you for spreading the word, we hope to see you there!

Yours in community spirit,
Lynn

Lynn C. Page
Development Director
The Brilliant Lecture Series
1726 Augusta Drive, Suite 104
Houston, Texas 77057
Office: 713-974-1335
Fax: 713-974-1371
http://www.brilliantlectures.com

Thursday, October 18, 2007

ARE YOU THE UK’S BIGGEST DIANA ROSS FAN?


ARE YOU THE UK’S BIGGEST DIANA ROSS FAN?

DO YOU KNOW EVERYTHING ABOUT DIANA AND HER MUSIC?

If so, we want to hear from you!


We are currently developing a brand new, primetime TV series and want to hear from the UK’s biggest DIANA fans. For your chance to be involved, please send:

• a brief outline as to what qualifies you as a ‘superfan’
• a photograph
• your contact details


to: alice.dodge@endemoluk.com


Or to find out more, call Alice Dodge 0208 2224030

Sunday, September 09, 2007

Your Online Video May Cost You Thousands

Your Online Video May Cost You Thousands

Youve just gotten married, and are traveling the world with your new spouse on your honeymoon. A good friend who filmed the wedding and reception has just finished putting together the footage. He has posted it on YouTube so you both can relive your wedding day on your honeymoon.

The video is wonderful. It illuminates several moments youd missed in the excitement of the day. Your friend has even included your song, Endless Love, as the background music for the video.

After the honeymoon, as you unpack the doorbell rings. Opening the door you find a man asking for your signature for a package. You think, "Which aunt or uncle must be sending money"? When the deliveryman smiles, hands you the package and says, "Youve been served." you are surprise and horrified.

Confused, you tear the package open to find a lawsuit for $10,000 for copyright infringement. You wonder to yourself--could this be right? How did I infringe any copyrights? Out of curiosity you scan the pages of the lawsuit for a logical explanation. Then you find it: "the illegal use of Endless Love by Lionel Ritchie and Diana Ross in your wedding video posted on YouTube".

With all the attention YouTube has gotten from the Viacom lawsuit for $1 billion for unauthorized distribution and infringe of copyright laws, everyone has overlooked a possible next wave of lawsuits to come. Those are for the vast majority of online videos that are made by small home videographers who have included music in their videos that has not been licensed for use.

Typically music publishers and record labels have turned a blind eye to home and wedding videographers who produce their own work. Shared with an audience of usually less then 10 close personal friends and family, these home videographers have all but been ignored for years. This was before sites like You Tube, Google Video, ChickShack, AsSeenInVT and a handful of others began creating an outlet for anyone with a video camera. Now home videographers need to be warned. You may soon find yourself involved in lawsuits for illegal use of a copyrighted protected musical recording, the fines for which could be in excess of $15,000 per song.

Remember how fiercely the recording industry went after everyone from children to old ladies who downloaded songs from sites like Napster? It may be only a matter of time until they start going after videographers in the same manner.
Most home videographers are unaware of the limitations on using copyright protected music. The vast number of home Videographers wrongly assume that they can synchronize or place any music they want in their video production. In the past, a small home and wedding Videographer would usually get away with this. The problem is these wannabee Quentin Tarantinos have now begun distributing their productions to more then just a few friends and family. A video loaded online has the potential market of hundreds of thousands, or even millions, of viewers, and if youve created something popular using YouTube, you may be the next victim.

Local TV stations in America can pay tens of thousands of dollars for licensing music for their stations. This price can go into the millions if they desire to use popular artists songs.

For Videographers who have uploaded productions onto sites like YouTube and are now nervous, let me educate you a bit on how licensing works.

Simply put, copyright laws state that any music under copyright protection may not be used for any kind of video production, media presentation, websites, etc--that is, without approval from the copyright owner. Several types of licenses are usually required. These may include some or all of the following: Synchronization, Performance and Master licenses.

Now before you stress over the fact that no one will see your masterpiece or that big the bad RIAA is coming to get you -- there is a solution. First, you must remove the copyrighted music you have in your videos. Then you have the option to either write your own music for your video (most of us are not musically creative enough to go this route) - or license music from an Online Production Music Library.

Online Production Music Libraries typically lease music from their catalogs on either an individual per use basis, called a drop, or blanket licenses that will cover an entire project. The advantages of online production music libraries are the scope, depth and breadth of the catalogs. Pricing ranges greatly, depending on many variables.

Most production libraries do not create music specifically for amateur videographers, but Recently, an L.A. based production music library called TunEdge Music announced it would give special licensing for web distribution. TunEdge Music is providing access to their online catalog and for a reasonable fee their music can be licensed specifically for online creations.

Saturday, September 08, 2007

Diana Ross fan Betsy Schroeder "REMEMBER"




> This is devastating. I, too, met Betsy and her sister in Monaco,
> and on
> September 10, 2001, as if the universe were sending me strength for
> what
> was to come the next day, Betsy arrived in San Francisco to give me
> and
> a friend backstage passes to a private concert Diana did for Bank of
> America employees. After the show, she and I accompanied Diana's band
> to the Palace Hotel where in perfect innocence we toasted the last few
> hours of the world as we knew it. Betsy was with me only twice, but
> they were the two best, most sustaining times I have known, and they
> shine more brightly in my memory for her having been there. We all
> have
> many things for which we are grateful to Miss Ross, but the
> friendships
> -- some brief and sparkling, some enduring and deep, all profoundly
> cherished * born and blooming within the sound of that silken voice,
> it is for those friendships that I am most grateful.
>
> Today I shared my slim portion of Betsy's life with the students in
> the
> high school where I teach. I told them about her gifts, how she hated
> Mahogony because it meant the show was nearly over, how she preferred
> Diana solo to the Supremes, that she had a remix of "Love Hangover"
> that
> I'd never heard, that she was more down to earth than most of us, but
> relentless where Miss Ross is concerned. They were visibly moved, and
> we decided to dedicate the day's classes to her, and to honor her
> with a
> song. Monday, I will wear my backstage pass to school, as I do every
> September 10, but this year I wear it for Betsy.
>
> My deep sympathy to Betsy's family, and love to all,
>
> Joseph Hill

Friday, September 07, 2007

A review Betsy Schroeder wrote in June 2004, after the Diana Ross Greenwich concert.


Betsy Schroeder passed away at August 22nd 2007, here a review she wrote in 2004!!
In memoriam on www.dianarossfanclub.net

I had such a wonderful Thursday afternoon & evening in Greenwich with our lovely Ms Ross! Now you know that when you put me with Diana Ross & traveling, there is going to be some adventure with it, so be patient...I'll eventually get to the show!!!

It all started Tues when I sat at myg computer & read a WONDERFUL post with a link to the Greenwich Times–free concert in Greenwich Thur pm. Before I even finished reading the story, I was checking out airfare, mostly to convince myself that OF COURSE I can't go 3000 miles to Greenwich the next day. SURPRISE!!! I find an affordable flight, & all of the sudden I was seriously thinking about going. It's never that simple, though. A little background...I have been very ill for the past 2 years (since the LAST Ross US "tour" which I was fortunate enough to attend :-).

I am MUCH, MUCH better now, but I am confined to a wheelchair, have residual visual impairment, etc... and require a care giver. I was able to talk my reluctant care giver into going with me (doubling airfare...ughhh!), find an available hotel, determine that the Greenwich train station is not really wheelchair accessible, rent a car, convince my care giver that traffic would be no worse in NYC at the times we would be driving than it is in Seattle's rush hour so of course she could drive, pack, & reschedule my dialysis for 6:00 the next morning, but uh oh, all of this started ~ 10:00 pm so it was a little late to find someone to stop in & see the kittens (Malea & Sharaya :-) that I had just gotten that day. I gambled that this would not be a problem & purchased our tickets with my fingers
crossed.

After an all too brief sleep with kittens nearby, I headed for dialysis where I cancelled my PT, other home health care, etc...Then we headed directly to the airport, where we discovered that mycare giver had not brought my bag...I would have found a way to deal with not having my life sustaining medications, but I couldn't get on the plane without an ID!!!!! This is why one must always plan to complete travel the day BEFORE the concert. I learned that the hard way with RTL in Philly, remember that? The show that I DIDN'T get to attend despite having an EXCELLENT seat! Fortunately, the red-eye flight was available. It was only more money...but at this point I was already so deep into the idea of this show both financially & emotionally...what's a little more $$$, right? So back home we went.

Several hours later we headed back to the airport, with my having run through a checklist with my care giver (because clearly the written list I had given my care giver wasn't enough). I saw all of my stuff & ran through her stuff verbally, sight unseen. Oops!!! Big mistake!!More later...

We ultimately arrived at LGA ~9:00 am & went to the rental car place. Did you guys know that those big rental car buses lower for wheelchairs? The whole bus! Very cool! Then we discovered that my care giver didn't bring her drivers license. I couldn't believe it!

I had specifically asked her if she had her license before we left. I was livid!!!!But a solution must be found, so we hired car. It's just more $, right??? So this relatively cheap trip was starting to add up. It was ok, though, because the end point was Diana :-).

We arrived in Greenwich, where the driver couldn't find the park, nor could anyone he asked help out. I told him what little I knew from the newspaper reports, which he felt the need to ignore, but I was too tired to care, having had only ~4 hrs sleep in the previous 2 nights. We had a brief tour of Greenwich's "back
woods," where Greenwich's not-so-wealthy live ;-).

I hadn't been to Greenwich in ~15 yrs & forgotten how beautiful it is, but business district traffic has worsened significantly. FINALLY when I asked someone where Diana Ross would be that night instead of using the park's name we got some decent directions. He dropped us off ~12:00 & we planned to spend the afternoon in the park, but they wouldn't let us in: "The park is closed until 6:00." I didn't completely believe that, but I knew that we would be able to see the show if we came
back a little later. Next task: finding a cab to take us to our hotel. No problem: the train station is a couple of blocks away.

Well, of course it wasn't that simple. The sidewalk was not wheelchair friendly, & the train station & cabs were up either a huge flight os stairs or an incredibly long, steep ramp. We ultimately got a cab & found our hotel. We had a couple of hours to eat & sleep before returning to the park for the sound check. I really needed to sleep, but I didn't trust myself to get up, & I was NOT going to miss this show!!!

We headed back to the park in time for the sound check, which was actually better than the show. Diana was a vision in white. She wore a fitted white top with 3/4 length sleeves. It almost looked like a leopard & emphasized her tiny (again) waist. Her skirt was unique, looking somewhat like curtains, but she pulled it off. She had a redish scarf around her neck that she played with a lot, using it as a wrap (it looked like it had been folded into a square & retained it's creases!!!). She wore heels, but I couldn't see if they were pumps or sandals, & her hair was loose until she finished and put on one of her enormous black headbands.

She was gorgeous even without her stage makeup. Through most of the sound check she sat facing the band, but she did occasionally sing to the scant crowd that was kept
REALLY far away by fences & security guards (they were really nice & helpful, even though their job was to maintain distance between me & the stage). Thank goodness for binoculars! Diana was there for close to 2 hours. Highlights for me were The Boss, WYTMTYLM, which she did NOT sing in the actual concert, & I Will Survive, just because she was silly during the first few lines, being really dramatic. She was SOOOO CUTE!!!!

It was ~6:00 when the sound check was over. They opened the park a little more so we could move closer to the stage, but we still were ~ a million miles from the stage. Everything closer was reserved for residents of Greenwich. The area closest to the stage was reserved for paying residents: $1,000 for the 1st row, $750 2nd row, $500 3rd row, & $250 for seats beyond that. The next section was cordoned off for 1,000 Greenwich residents, That meant there were ~1400 people in front of me. Somehow it just doesn't seem right not to incorporate "fanhood" & distance traveled in seat
assignments if people are to be excluded from certain seats.

That's been an issue at a lot of her shows lately...I'm not liking that one bit, but I am really happy to have something to fret about if it means that our girl is out there strutting her stuff! Obviously, we stayed to maintain our position, as unsatisfactory as it was. Then, the wheelchair, which had been such a burden the whole trip, worked to my advantage & I was able to get wristbands for the 2nd tier
seating!!!Ultimately, It didn't really matter because the 1st tier people all stood up in front of us so I could only occasionally see Ms Ross's head (but what a beautiful sight that was when visible!).

The crowd was very odd. As far as I could tell, there were VERY FEW fans there. Most people around me thought they would "just stop by & see what this was all about."The crowd was very homogenous...men were tanned wearing polo shirts & sunglasses. They all had the same haircut as well. They all had families with them, & the kids & wives
all looked alike. This was the original "Stepford." Everyone was discussing Ms Ross's age (they all underestimated it) & talked about how great she looked. Some of Evan's schoolmates were near us & said he had done some modeling as well as singing & dancing. There was no other gossip to speak of.

At ~8:30, the show started. The set list was similar to the European shows with a few differences. She opened with I'm Coming Out & didn't sing TMH. Also missing were Remember Me :-(, WYTMTYLM :-(,Missing You, Best Years (!), & I'm Still Waiting. The LST B segment was limited to Fine & Mellow and Don't Explain (I'm so glad! :-).

The Supremes songs were sung in their entirety, which still throws me off because I really only know the medley versions :-P. She did NOT sing YKMHO, but she used the ROCKIN' arrangement of Love Child that was used in Europe. Mirror, Mirror is back as it was in Europe (still wondering what happened in Houston). Endless Love no longer
features one of the background singers, which works for me since to me that will always be Quintin's song. Before the song, she asked if we remembered the song, stating she'd been away so long she didn't know if people remembered. That kind of freaked me out because she was stating this about a song that I DO remember (usually this is asked about songs that were released before I was born). She made 2 or 3 costume changes, but I could only see colors (pink then red then white) and then I couldn't see anything.

She very briefly mentioned the Teen Center that was benefitting from the concert, but
she did nothing else to indicate that she was performing ~1 mile from home. I was hoping for more intimacy or something, but there was a lot more interaction with the audience at other shows. The audience seems to be very important in the overall quality of a Ross performance, with shows such as Paris, Ahoy, MSG, & Westbury clearly outshining other shows that I've attended. This audience was flat, average, & so was the show relative to other Ross shows. She seemed to be in good spirits and shined as gloriously as usual.

Understanding that Diana Ross is ALWAYS spectacular on stage, there
was nothing special about this show

Of note, Evan sang Overjoyed with Rhonda & Rodney backing hin up. He has a lovely voice, but the poor guy was off key for the whole song. I've been watching too much American Idol because I kept hearing Simon saying, "You didn't hit a single note!" I suspect it was just anxiety, for he's probably never sung before such a large crowd.
He's got a lot of potential, but he didn't hit it on Thur.

The show was ~1½-2 hours without intermission. The residents of Greenwich who coughed up money for the reception went to meet their neighbor. I went to my hotel for another night of inadequate sleep due to a 6:00 am flight back to Seattle (which was pretty uneventful :-). I chose not to pursue the reception or Ms Ross's
coming or going from it...I've met her several times before, was really tired & limited by the wheelchair, & knew that with 400 people attending the reception I wouldn't have an opportunity to TALK to Diana. Maybe next time.

It was a very hectic 48 hours, but I'm so glad I pulled it off. I am a firm believer in pursuing things that make you happy, and Diana Ross shows are #1 on my list. She makes my life better, & I need a live fix now & then. I'm so blessed to be able to get one. Our girl is back!!!!!!!

Thursday, September 06, 2007

CLASSIC DIVA DIANA ROSS LIGHTS UP HAMPTONS WITH PRIVATE PERFORMANCE


(Hollywood, FL) -- Shining through Saturday's Southampton fog, legendary artist and performer Diana Ross gave 500 thrilled guests a 75-minute private performance, taking them on a trip down memory lane and truly providing them with An Evening Under the Stars to remember. Generously underwritten by Jill Viner and Cliff Viner, the extravagant affair held on August 25 raised more than $550,000 for the Diabetes Research Institute (DRI.) On the grounds of Stony Brook Southampton, Miami-based event virtuoso Barton G. conceptualized, designed and catered THE event of the summer, magically transforming a 20,000-square-foot tent into a lux supper club.

"In my wildest dreams, the event couldn't have been more perfect," hostess Jill Viner said. "The warmth from Diana Ross was such a gift, and the most significant part of the evening was that we all had a common bond and that we were all there with the same goal in mind, to find a cure for diabetes."

During the dinner program, DRI Scientific Director Camillo Ricordi, M.D., addressed the audience, extending sincere gratitude to the Viners and everyone in attendance for their support of the DRI, and emphasizing that the Institute's focus is to cure diabetes in the fastest, safest and most efficient way possible.

Even Ross, herself has had a personal interest in seeing a cure for this devastating disease ever since her father was struck with it. "I am really, really interested in what you are doing," she told the audience.
Ross gave an awe-inspiring performance. Beginning with a slow crescendo from her band, she belted out I'm Coming Out as she emerged from behind curtains, continuing the song with a sparkling smile and the first of three gown changes - a glittering red gown and ruffled wrap. Cheering guests leapt to their feet and began singing along and dancing between tables. Ross regaled her excited fans with 17 of her classic tunes, including "Baby Love," "Stop in the Name of Love," and "Ain't No Mountain High Enough," and in no time, the dance floor in front of the stage was packed with grooving fans.

In the equally enchanting hours preceding the concert, guests first climbed a massive, white carpeted staircase. As glass doors were opened, they entered a cocktail reception where champagne flowed freely and elegant bars in all four corners offered other libations. Creative hors d'oeuvres, such as Asian duck-filled pancakes, mini Chesapeake crab burgers, and ice seared tuna and salmon with lime chili dip, were passed on artful serving platters.

Huge wooden doors separated the cocktail reception from the main event, and when opened, revealed the ballroom's brilliant decor, highlighted by soft colored lighting and wood panel. Fresh roses and orchids adorned each table, encircling the stems of cylindrical-shaded lamps, which changed settings with the touch of a petal.

Dinner began with three huge shrimp and a trio of colorful sauces, followed by grilled New York strip steak with a delectable peppercorn sauce. Desserts included the options of Shake and Cake, a vanilla milk shake in a martini glass with chocolate chip cookie rim and a slice of chocolate layer cake, or a Mini Sundae Trio.

After the main event, a select group of lead sponsors and other VIPs attended an elegant After Party, where they had the rare opportunity to meet and be photographed with Diana Ross herself.

Top sponsors included: Martin Granowitz, President and Owner of Bearings Limited; Rosa and Francis Feeney; Mr. Warren Mosler & Ms. Elizabeth O'Tool; Mr. Sanjiv Sharma & Ms. Nadine Allen; Mr. Paul Singer & Ms. Bonnie Loeb; Roberta and Bruce Waller, Bonnie and Jamie Schaefer, and Marla and Steve Weishoff: in proud recognition of The Rowland & Sylvia Schaefer Family Foundation, Inc.; Brian and Cheryl Coughlin; Mr. Ed & Mrs. Holli Gersh; Marc and Esther Goodman; Kovler Family Foundation; Pernod Ricard USA Champagne & Wines - Brancott Vineyards, Perrier-Jouet, Sandeman(R), and Ysios; Mr. Robert and Mrs. Hiromi Printz; Risa and Jeff Pulver; Randi and Mark Jacobson Charitable Foundation; Neomi and Michael Dezer and Leslie and Ricardo Salmon; Mr. Richard Schwartz & Ms. Marta Aislant; Holly and David Sherr; University of Miami Leonard M. Miller School of Medicine; Hampton Style/Dan's Papers, Hamptons.com , and Wine Spectator.

The Diabetes Research Institute, a center of excellence at the University of Miami Miller School of Medicine, is a recognized world leader in cure-focused research. Since its inception in the early 1970s, the DRI has made significant contributions to the field of diabetes research, pioneering many of the techniques used in islet transplantation. From innovations in islet isolation and transplant procedures to advances in cell biology and immunology, the DRI is now harnessing the power of emerging technologies to develop new cell-based therapies to restore insulin production. For the millions of families already affected by diabetes who are looking to the world of science for answers, the Diabetes Research Institute is the best hope for a cure. For more information, visit www.diabetesresearch.org or call (800) 321-3437.

Founded in 1994 by Barton G. Weiss as an events production company, Barton G. quickly emerged as an international leader in the industry. Today, the company has expanded to include Barton G. The Restaurant, one of South Beach's most desirable dining destinations, off-premise catering, exclusive venues and destination management services. Always, the Barton G. signature is characterized by the delivery of memorable multi-sensory experiences. For more information about Barton G., visit www.bartong.com or call (305) 576-8888.

Wednesday, September 05, 2007

The Supremes Singer's Biographer Writes A Third, More Sympathetic Book about Diana Ross




Diana Ross Revisited
The Supremes Singer's Biographer Writes A Third, More Sympathetic Book


NEW YORK, Sept. 4, 2007

"Diana Ross: A Biography" by J. Randy Taraborrelli takes a more
sympathetic look at the singer's life. (Citadel)

(CBS) Diana Ross is known as much for her unique voice as for her
diva attitude.

Ross first made her name with the Supremes -- the real Dreamgirls --
in the 1960s. Forty years later, she is still a force in the music
business, despite some well-publicized arrests and other incidents.

The recently released book "Diana Ross: A Biography" by J. Randy
Taraborrelli provides an extensive chronicle of the singer's life.

Taraborrelli has been a fan of Ross since he was 12 and founded the
first Supremes international fan club. He wrote two other books about
Ross, but says his third book is much more sympathetic.

"This was a great opportunity for me to take a look at her sort of as
an adult," he told The Early Show co-anchor Julie Chen. "My last book
came out 18 years ago. Since that time, I've written about Elizabeth
Taylor, Grace Kelly, Madonna and, you know, Michael Jackson. It was
an opportunity for me to take a look at Diana from a new perspective.
I looked back and looked at my old interviews with her. Interviews
with her father, her mother, the other Supremes and put into context
her entire life."

He first interviewed Ross when she was 26 and now she is 63.
Taraborrelli said she has changed a great deal over the years and
this book takes the most balanced look at her life. Now he defends
Ross's famed diva behavior because he says it stemmed from fear.

"When she left Motown, in 1980, she did not leave a wealthy woman,"
he said. "She says she had to pay her taxes by borrowing money at
that time in her life. And by that time, she had 18 No. 1 records at
Motown. And it's not to say that Motown didn't pay her the money she
deserved, it's to say that it wasn't very much money. So when she
left the company in the 1980s, she began her own business and she
really didn't know what she was doing and I think a lot of that diva
behavior we heard about in the 1980s and early 1990s came from her
insecurity and fear that she wanted to make sure that she would never
end up in that place again in her life."

Ross has been accused of treating people badly -- especially her
fellow Supremes. But through his research, Taraborrelli said he found
that Ross behaved very selflessly at times. He learned that Ross was
the only person who helped former Supreme Florence Ballard when she
needed money. Ballard died at the age of 32.

"There were many times over the years I wanted to pull Diana aside
and say, 'Listen, you need to defend yourself about these
accusations. You have a point of view. You need to tell it,' " said
Taraborrelli, who used to work as a publicist for the
Supremes. "She's never been the kind of a woman to set the record
straight. She's always been the kind of woman to just keep her eye on
the prize, on her career, and just move forward and not really
respond to criticism. So with this book, I wanted to take a look at
it from her point of view. And I think that it's an interesting way
to go for a biography and for a third book."

Even though he took a sympathetic look at the singer, Taraborrelli
said she didn't collaborate with him because she wasn't very pleased
with his last book, "Call Me Miss Ross," which came out 18 years ago.

Although she has had many hits as a solo artist, Ross and the
Supremes attempted a reunion tour in 2000. It was cut short.
Taraborrelli said Ross and other original Supreme Mary Wilson were
not able to see eye to eye about money so Ross recruited two other
women who worked with the Supremes in the 1970s after Ross had left.
The tour shut down due to poor ticket sales.

"I flew back with the Supremes after closing night. I was able to
find that Diana was devastated by that turn of events," Taraborrelli
said. "The public felt she was trying to force on them a reunion that
was not legitimate. And it really hurt her career."

But last year, Ross came out with her 70th album and it was the top-
selling album on the Billboard charts the week it came out. But
Taraborrelli says the singer's future is bright.

"Forty-five years of a career of ups and downs and she's really a
survivor, you know?" he said. "She survived three books by me so that
tells you something."

© MMVII, CBS Interactive, Inc. All Rights Reserved.

Tuesday, August 28, 2007

Diana Ross on VENETIAN MACAU GRAND OPENING


MACAU (AFP) - The world's largest casino-resort, a gaudy mix of baccarat, shops and Venetian canals, opened here Tuesday aiming toaccelerate Macau's heady transformation from gambling haven to Asia's top entertainment draw.

Thousands of people, some of whom began to queue as early as 1.00 pm, rushed into the casino as the Venetian Macao resort threw its doors open to the public who quickly filled up some of the gaming tables.

Iao Tak-kun, one of the local gamblers who took a day off from work, was among the first to see what he described as "a grand building with European style."

"It looks very beautiful. It's completely different from the rest of the casinos here," the 33-year-old hotel chef said.

"But most importantly, I want to make back the 100,000 dollars I've lost at Sands," a sister casino of the Venetian.

International diva Diana Ross in bright yellow dress was the surprise guest at a variety show and performed three songs, including "Endless Love", before a bunch of firecracks were set off and the door was opened to the public.

The 2.4 billion-dollar Venetian Macao resort, built on a spit of reclaimed land called the Cotai Strip, seeks to capitalise on the casino boom by getting the millions of visitors to stay for more than just a turn at the tables.

With 3,000 hotel rooms, a theatre, a 15,000-seat stadium and 350 shops, as well as the gambling arenas, it is the anchor of the Cotai project to recreate the Las Vegas Strip in the southern Chinese territory.

Sheldon Adelson, chief executive of Las Vegas Sands which is operating the Venetian, said it was "the beginning of what has been a dream of mine."

"We are quite certain we are going to meet the expectations of everybody that has anticipated this arrival," he told reporters.

Adelson said he believes that there is a pent-up demand for the resort and the rest of the Cotai Strip, which will eventually be home to more than a dozen top-end resorts offering more than 20,000 hotel rooms.

The Venetian Macao features 870 gaming tables and 3,400 slot machines -- planned to rise to 6,000 -- on floors as big as three football pitches.

Its shopping mall is woven between three canals, complete with a fleet of gondolas and fake sky.

William Weidner, president of Las Vegas Sands, said he expected the market to change, claiming the new complex offered something radically different from rivals such as Las Vegas-based Steve Wynn and Australia's Crown, who both own casinos here.

"The growth in table games played here have been extraordinary since Sands opened. What this property represents is a whole new market segment drawing people from much further away," he said.

In 2001, Macau liberalised its monopolistic gaming market once dominated by local tycoon Stanley Ho, and Sands was the first major American company to open a casino here in 2004.

Macau has a population of just over half a million, but last year welcomed 22 million visitors -- a figure expected to rise to 26 million in 2007.

Last year, gaming revenues in Macau totaled 7.2 billion dollars, overtaking the Las Vegas Strip for the first time with 6.6 billion dollars.

The territory's continuing expansion means it is also likely to surpass the total gaming take of the greater Las Vegas area this year.

Adelson told AFP he hoped to make back the 2.4 billion-dollar
investment in the Venetian within five years.

The Venetian strategy is to lure Asian families and business clients into longer stays, as well as the high-rolling gamblers who have fueled Macau's boom.

Currently, the average visitor to Macau stays just 1.2 days and Sands want to stretch that to 3.5 days at their resort with world-class entertainment and convention offerings, in the same way that the original Venetian in Las Vegas transformed Nevada.

The shopping mall features luxury brands such as Tiffany and Versace to try to attract wealthy Asians, particularly Chinese, while Sands said that 44 conventions have already been booked at the resort.

Monday, August 27, 2007

Diana Ross at An Evening under The Stars




Supreme Lady in Red - Diana Ross at An Evening under The Stars. Photo by Kurt Leggard


The fog rolled into town but the stars were still shining in Southampton as over 500 people at the An Evening Under the Stars Gala for the Diabetes Research Institute excitedly awaited the supreme diva, Diana Ross. The athletic fields at Stony Brook Southampton were transformed for the evening into a massive tented cocktail area and ballroom by none other than event impresario Barton G. Guest glided up the white carpet covered stairs and entered glass doors into a space dressed in chartreuse upholstered walls, elegant white columns, and sleek white curved bars. Waiters passed delicious lamb chops, mini crab cake sandwiches, and scallops casino and champagne flowed freely. Eager fans tried to sneak a peek into the ballroom but the conscientious security was having none of that – we had to be patient.

As the massive wooden doors opened soft violet and rose colored lighting transformed a once blank white space into a warm and inviting ballroom. Wood panels and more white carpeting gave the room a cozy feel and cascades of tropical orchids elevated the modern d̩cor. Clear chairs and white linens kept the attention on the star for the early part of the evening Рthe food. Dinner began with a trio of luscious shrimp cocktails and gazpacho. The next course, New York Strip Steak was grilled to perfection and served with a delicious peppercorn sauce. Guests enjoyed their just desserts as a vanilla milkshake and decadent chocolate layer cake appeared with a trio of miniature ice cream sundaes. Champagne and wines donated by Pernod Ricard USA enhanced the delicious evening.

Jill Viner, our gracious hostess, was swathed in a fabulous pink satin ball gown and shimmered as she expressed her heartfelt thanks to all who had come to support the evening. As this cause is dear to her heart she reminisced about her brother, a diabetic, and how she and her husband Cliff Viner are so happy to bring awareness of the epidemic to the spotlight. Then the room began to buzz and we all waited breathlessly for Diana to make her grand entrance.Encased in a fiery red sequin encrusted gown complete with outrageous red chiffon ruffled cape Diana Ross entered the room to thunderous applause belting out, “I’m Coming Out”. Her amazing vocal range and stamina had us all wishing the concert would never end. She was sexy and powerful and her voice was clear, crisp, and filled with emotions. Unlike other performer of her era she still commands the full attention of any room she enters and gives over 100%. The masses were mesmerized as she continued with “Baby Love,” “Stop In The Name Of Love,” “Love Hangover,” “Can’t Hurry Love,” and “Touch Me In The Morning”.

After a quick break and costume change she emerged in a green dress that played up her curves and highlighted her flawless features. Women in the room were green with envy for her traffic-stopping figure. At 63, she had the energy a songbird a third her age and the stage presence and charisma few can match. She continued with “The Boss”, “It’s My House,” “Love Child,” and “Upside Down.” With her signature smile, bedroom eyes, and flirty breathless conversation she held her audience as she performed “Ease on Down the Road” from the musical “The Wiz” in which she starred along side Michael Jackson, Lena Horne, Richard Pryor, and Mabel King.



Another quick change to a provocative black number and she was back for her encores that included “Why Do Fools Fall In Love,” the title song “Theme From Mahogany (Do You Know Where You're Going To)," and the resounding “Ain’t No Mountain High Enough.” She finished her marathon with as much energy as she began with “If You Call My Name.” The room exploded and it was clear that the magical night would be remembered for a very long time indeed. Guests could be heard muttering about how amazing she looked and how unreal she sounded. She seemed as if she could go on all night unfatigued and we wish she would have done just that.

Sunday, August 26, 2007

Diana Ross went out without make-up


Diana Ross went out without make-up this week at the Beverly Hills Hotel, she must have thought there wouldn't be any photograhers around.

more Diana Ross on www.dianarossfanclub.net

Diana Ross was shopping at the Lucky store



Diana Ross was shopping at the Lucky store in Beverly Hills yesterday and apparently she is joining the rebellion against overpriced designer handbags. SHE won't be blowing $6000 on a Prada bag anytime soon. We're not sure a fanny pack

Saturday, August 25, 2007

Diana Ross in Concert - November 2007

















01. Nov, 2007 - Harrah's Casino, Rincon, San diego / CA

03. Nov, 2007 - Wells Fargo Center, Santa Rosa / CA

04. Nov, 2007 - Paramount Theater, Oakland / CA

06. Nov, 2007 - Maricopa County Center, Phoenix / AZ

08. Nov, 2007 - Chumash Casino, Santa Inez / CA

09. Nov, 2007 - Grand Sierra Casino Reno, Nevada / CA

15. Nov, 2007 - San Manuel Casino, Highland / CA

16. Nov, 2007 - Fantasy Springs Casino, Indio / CA

20. Nov, 2007 - Gibson Amphitheater , Los Angeles / CA


Look for more info on www.dianarossfanclub.net

Friday, August 17, 2007

Diana Ross is Mahogany


For one week only from Friday, August 17 to Thursday, August 23, an exclusive presentation of Diana Ross’ classic film MAHOGANY will by playing at Chelsea Cinema.

This film is inspirational, motivational and encouraging to all of you that have a dream and vision that you are trying to reach. This is a must-see film for all of you performing artists who have been rejected and had doors closed in your face.

Chelsea Cinema
260 West 23rd Street
New York, NY 10011
www.ClearviewCinemas.com

Tuesday, July 24, 2007

Ron Miller dies at 74 / Diana Ross/ Stevie Wonder/ Celine Dion/ Barbra Streisand /Ray Charles/ Gladys Knight


Ron Miller (songwriter)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ronald Norman Miller (c. 1933 - July 23, 2007 [1]) was an American popular songwriter and record producer, who attained many Top 10 hits with ballads written for Motown artists in the 1960s and 1970s.

Miller was born in Chicago and was discovered playing in a bar by Motown founder Berry Gordy.[2]

He supplied a number of songs for Stevie Wonder, including four hit singles, in the period prior to 1971 when Wonder took control of his own recordings.

Miller's single biggest hit song was Stevie Wonder's "For Once in My Life" which was written on the occasion of his daughter's birth. It is one of the most covered songs in pop history with more than 270 recorded versions. A version recorded by Tony Bennett and Wonder won a Grammy Award in 2007. A version of his song "Heaven Help Us All" by Ray Charles and Gladys Knight won a Grammy Award for best gospel performance in 2005.[3]

He was the husband of Aurora Miller and father of singer Lisa Dawn Miller.


[edit] Selective list of Ron Miller songs
"A Place in the Sun" (Ron Miller, Bryan Wells) – Stevie Wonder, 1966, US #9
"For Once in My Life" (Ron Miller, Orlando Murden) – Stevie Wonder, 1968, US #3
"Yester-me, Yester-you, Yesterday" (Ron Miller, Bryan Wells) – Stevie Wonder, 1969, US #7
"Heaven Help Us All" (Ron Miller) – Stevie Wonder, 1970, US #9
"Touch Me in the Morning" (Ron Miller, Michael Masser) – Diana Ross, 1974, US #1
"I've Never Been to Me" (Ron Miller, Ken Hirsch) – Charlene, 1982, US #3, UK #1, Canada #1, Australia #1
"If I Could" (Ron Miller, Ken Hirsch, Marti Sharron – Celine Dion, 2004. The album Miracle charted at US #4

[edit] See also
Stevie Wonder discography

[edit] References
^ AP via Sarasota Herald-Tribune "Ron Miller, who wrote 'For Once in My Life,' dies in Calif." July 24, 2007
^ AP via Sarasota Herald-Tribune "Ron Miller, who wrote 'For Once in My Life,' dies in Calif." July 24, 2007
^ AP via Sarasota Herald-Tribune "Ron Miller, who wrote 'For Once in My Life,' dies in Calif." July 24, 2007
This article on a songwriter is a stub. You can help Wikipedia by expanding it.

Retrieved from "http://en.wikipedia.org/wiki/Ron_Miller_%28songwriter%29"
Categories: 2007 deaths | American songwriters | People from Chicago | Songwriter stubs

Tuesday, July 10, 2007

Diana Ross performed at the Michael Strahan / Dreier LLP Charity Golf Tournament Party and Auction



NEW YORK - JULY 08: Singer Diana Ross at the Michael Strahan's
second annual celebrity golf tournament party benefitting
Supportive Children's Advocacy Network (SACN) on July 8 2007 at TAO
in New York City

"Diana Ross performed at Tao Restaurant in New York on Sunday night
as part of a charity auction hosted by the New York Giants' Michael
Strahan. Ja Rule, Nicole Murphy, and Dawn Richards of Danity Kane
also made appearances at the event, which raised over $300,000 for
the Supportive Children's Advocacy Network and was sponsored by the
Dreier LLP law firm."

Saturday, July 07, 2007

It's time to say goodbye!!


Some so called "Diana Ross fans" discuss about the issue of J.Randy Taraborrelli's new book. According to some of them I promote that book here on my website. I put an interview on the news page that I had with him and the cover of the book,WHY NOT?? As a big fan I am disappointed about the fact that they condemn me for bringing the news. They ask the question why I put this on my website. I just want to bring news about and around Diana Ross that's all. I don't have a pact with the devil.

I can tell you all that I consider to stop all my work and activities.

I am sick of it! Jim Hoogendorp ( I have a perfect life outside being a fan!!)

Friday, July 06, 2007

Diana Ross on Live Earth Concert??


On July 7th, 2007, Diana Ross is believed to kick off the American leg of Al Gore's Live Earth concert. The Supreme Diva is a last minute addition to the Live Earth festivities.

Wednesday, June 27, 2007

Diana Ross BET AWARDS report!!


so...yes! some of you have seen what I saw...THE LADY
IN RED! (the dress in which she sang "He Lives In You"
on Oprah)

I'm on my Mac at home...so, it doesn't do my colors &
fonts, but there's really nothing to add to Lady Ross
holding even THAT AUDIENCE CAPTIVATED! Mind you, the
youth music thing was shoved down our throats...but,
after Robin Thicke slowed it down a bit and made it
all much more LISTENABLE...well, then

Mo'Nique gave it up to "The Boss"...and the video
montage was spellbinding. I was sitting stage
right...whereas Diana and her brood were all stage
left. I could see her from time to time rockin' out
to the young music + rappers. I was SO PLEASED at her
tribute...they really did her right. And having her 5
children + her looking SO YOUTHFUL & EXUBEREANT! It
was very interesting seeing even the so-called
"gangsta rappers" rockin' out to Chaka singing "I'm
Coming Out" - I had to chuckle to myself
thinking...are some of them on the "down low"...?? I
thought Erykah did a phenomenal rendition of "Love
Hangover"...and moving like a young Ross in the big
wig + hoop earrings.

But, to see Ross speaking SO CLEARLY +
CONFIDENTLY...well I am just so fortunate to be a fan
of this woman. I got teary when I heard her give it
up to Mary...as I feel Diana realizes it is much later
in the game now...and to hell with the past. Perhaps
she & Mary can find peace in some way working together
or helping others together. But, hearing her speak
Mary's name...so sisterly and poignantly was CHURCH!

Right after her tribute, I was whisked backstage...and
met up with Ross' publicist whom I had met in NYC. As
I thought, Diana did not do any press...but, climbed
into a waiting limo with her award and scooted on back
to West Hollywood. Her brother Chico was
backstage...with a couple of kids and her 5 had taken
their own forms of transportation and were all making
their way out of the back parking area of The Shrine
Auditorium.

I ended the evening having a nice dinner with my hosts
(some of the inner circle of Stevie Wonder's
entourage) and was regaled with stories of the old
Motown days and encouraged to pursue a couple of my
own ideas about the magic of Liviin', Lovin' &
Givin'...its so nice to know Mama Ross is A-OK!!

I will sleep so comfortably & soundly tonight!

If there's a cure for this...

Think peace.
Be well.

bernard

Sunday, June 24, 2007

Trevor (Diana Ross)

Thursday, June 21, 2007

BET AWARDS with Diana Ross


Place Your Bets On The 'Main Event'; BET AWARDS '07 Announces the Ultimate Lineup!
Beyonce', Diddy, Robin Thicke, Keyshia Cole, Rihanna, Alicia Keys, Gladys Knight, Kelly Rowland, Chaka Khan, Erykah Badu And Fabolous Set to Appear at Bet Awards '07, Live on June 26
By PR Newswire
LOS ANGELES, June 21 /PRNewswire/ -- BET '07 AWARDS is poised for the ultimate battle royale when its all-star lineup with the biggest records of the year go all out at the Shrine Auditorium on Tuesday, June 26. Sparks will be flying throughout the three-hour live telecast, beginning at 8 p.m. ET/7 p.m. CDT (tape delayed in the Mountain and Pacific zones) as legends and A- listers crowd the dazzling talent roster.

Newly-added big name celebs scheduled to appear or perform include: mega- star Beyonce', hip-hop mogul Diddy, R&B divas Keyshia Cole, Kelly Rowland, and Alicia Keys, chart-topping ing??nue Rihanna, legendary singers Gladys Knight and Chaka Khan, sultry crooners Robin Thicke and Mario, soul maven Erykah Badu, rap stars Nelly and Fabolous, actress Vivica A. Fox, funnyman Charlie Murphy, activist/political leader Al Sharpton, hip hop activist/rapper Chuck D, American Idol Jordin Sparks, writer/director/actor Tyler Perry, movie stars Nick Cannon, Michael Clark Duncan and Henry Simmons, and NFL superstar Reggie Bush.

They join previously announced show talent T.I., 50 Cent, Ne-Yo, Ciara, Terrence Howard, Queen Latifah, Yolanda Adams, Tyra Banks, Katt Williams, Big Boi of Outkast and Floyd Mayweather, Jr.



Advertisement

This year's show is justifiably being billed as "The Main Event" as the popular Mo'Nique is back to host the telecast for an unprecedented third time. With such a knock-out line up, the stage is set for a telecast that will keep viewers locked from the opening act until the final curtain falls. As always, BET can be counted on to deliver some of television's most memorable moments, including special tributes to the late James Brown and Gerald Levert as well as a not-to-be-missed opening act.

"We've built a brand by having the most dazzling opening performances in all Awards shows," said Stephen Hill, BET AWARDS '07 executive producer and BET EVP of Music Programming and Talent. "This year's open will simply and sensationally stun. Sometimes we tell you what'll stun, like last year's grand opening with Beyonce'. Others we sneak on ya, like 2005's reunion performance from The Fugees. We're choosing 'sneak attack' this year, but trust me: you don't want to get to your TV at 8:02 p.m. ... .. for real."

BET will also honor Diana Ross, the icon of Motown style with BET's Lifetime Achievement Award for her four decade long, accomplished career in popular music. Additionally, beloved and accomplished actor, Academy Award nominee Don Cheadle will receive the BET Humanitarian Award for his efforts in Darfur and fundraising for the African AIDS epidemic.

BET is the only award show that recognizes the achievements of music artists, entertainers and athletes in 14 categories; this year's nods for best-in-class performances go to Beyonce' with six nominations, followed by Jay-Z, Ciara, Jennifer Hudson, Akon and Gnarls Barkley among others.

Encore telecasts of the BET AWARDS '07 are set for: Friday, June 29 from 8 - 11 p.m. ET/PT Sunday, July 1 from 8 - 11 p.m. ET/PT; Wednesday, July 4 from 8 - 11 p.m. ET/PT; Friday, July 6 from 8 - 11 p.m. ET/PT; Sunday, July 8 from 8 - 11 p.m. ET/PT; and Saturday, July 14 from 8 - 11 p.m. ET/PT.

ABOUT BET

BET Networks, a subsidiary of Viacom, Inc. (NYSE: VIA and VIA.B), is the leading provider of media and entertainment for African Americans and consumers of Black culture on a global basis. The primary BET cable network reaches more than 84 million households and can be seen in the United States, Canada and the Caribbean. BET Digital Networks - BET J, BET Gospel, and BET Hip-Hop - are brands that combine to serve a broader and more diverse audience than the core network. BET.com is the number one Internet destination for their target audiences. BET Mobile delivers music, gaming, and video content to the target audiences on wireless devices across virtually all service providers. BET Event Productions is a full-scale event management and production company with festivals and live events spanning the globe. BET International delivers BET content to the consumers of Black culture around the world. BET Networks inspires its audiences to make a difference in their lives and communities with a series of impactful and pro- social initiatives under the Touch BET umbrella.

SOURCE BET Networks

Copyright 2007 PR Newswire. All Rights Reserved

Monday, June 18, 2007

Diana Ross's "Last Time I Saw Him" NOW ON CD!!


Diana Ross
Last Time I Saw Him: Expanded Edition 2-CD set




Last Time I Saw Him – Original LP, Motown 812, December 1973
1. Last Time I Saw Him
2. No One’s Gonna Be A Fool Forever
3. Love Me
4. Sleepin’
5. You
6. Turn Around
7. When Will I Come Home To You
8. I Heard A Love Song (But You Never Made A Sound)
9. Stone Liberty
10. Behind Closed Doors
11. Last Time I Saw Him – Japanese Quad Edition
12. No One’s Gonna Be A Fool Forever
13. Love Me
14. Sleepin’
15. You
16. Turn Around
17. When Will I Come Home To You
18. I Heard A Love Song (But You Never Made A Sound)
19. Stone Liberty
20. Behind Closed Doors

First Time I Saw Him – Unreleased Bonus Tracks
1. I’ll Be Here (When You Get Home)
2. Why Play Games
3. I Don’t Care Where The Money Is
4. Get It All Together
5. Where Did We Go Wrong Version 1
6. Since I Don’t Have You
7. Let Me Be The One
8. I Wanna Go Back There Again
9. Old Funky Rolls Alternate
10. Last Time I Saw Him Unedited Version Price: $29.98
Buy Me


RELEASE DATE: June 18 2007
CD Edition limited to 5000 limited edition copies

The first 500 customers to purchase directly from Hip-OSelect.com will receive a limited edition Motown pin. This pin is exclusive to our site and will automatically be added when you make your purchase. The pin is pictured here:

Last Time I Saw Him, a classic Diana Ross album overlooked in the digital era, finally makes its CD debut.
Recorded and released in 1973, Last Time I Saw Him, with a title track written by Michael Masser and Pam Sawyer, was the follow-up to Diana’s No. 1 Touch Me In The Morning. Masser, the Four Seasons’ Bob Gaudio and Motown’s own Ron Miller and Tom Baird contributed to the LP; one of Baird’s tracks, “Turn Around,” written by Harry Belafonte, was a holdover from a previously unreleased album.
“Last Time I Saw Him,” the title track, shot straight up to the top of the Adult Contemporary chart while making a respectable splash in the Pop & R&B top 20. However, the album and its subsequent single releases failed to make its expected impact. With Diana working on her second film, Mahogany, and with additional projects taking precedent, the album faded away.
Hip-oSelect.Com now presents the original album remastered, the ultra-rare Japanese Quadraphonic release, TEN previously unreleased bonus tracks from the sessions, and the unedited version of the title song. It’s all packaged with a beautiful booklet that features detailed recording data and a new essay by Motown chronicler Andrew Skurow.
The 10 unreleased cuts include original songs, and stellar covers of the classic Skyliners’ hit “Since I Don’t Have You,” the Carpenter’s “Let Me Be The One,” the Motown underground favorite “I Want To Go Back There Again,” and an early version of Diana’s own “Where Did We Go Wrong.”

DID you know… “I Want To Go Back There Again” uses the same track as the previous version by Thelma Houston. Its producer, Hal Davis, went on to produce Ross’s “Love Hangover” and Thelma Houston’s “Don’t Leave Me This Way” – which, in classic Motown coincidence, was originally assigned to Miss Ross.


Price: $29.98
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More Diana Ross www.dianarossfanclub.net

Wednesday, June 13, 2007

20 People Who Changed Black Music: Motown First Lady Diana Ross, the Quintessential Diva

For musicians, songwriters and fans across the country, Diana Ross - with her high-pitched voice and hair-out-to-there - is still America's quintessential diva.

"I'm comfortable with money," Ross once said, "and it's comfortable with me."

From her memorable 1983 Central Park concert where she performed in driving rain, to the wild mane that made her famous, Ross is in a league of her own, a true mega-star in a field of celebrity entertainers.




Her flamboyant style, diva persona and straight talk is legendary.

"Just because I have my standards," she said, "they think I'm a bitch."Perhaps.

Once, the story goes, Ross was performing in Atlantic City, an errand boy who had gotten her a pizza, excitedly said, "Diana, it's such an honor to serve you," and she responded, "Please, call me Miss Ross!"

Talk in the 1960s focused on her relationship with Motown Records founder Berry Gordy, Ross' mentor and the man who guided her incredible career.

Trading the humble Brewster Housing Projects for penthouse suites, draping herself with silk and jewels and replacing bus seats with limos, Ross was a public figure in Detroit's 1960s but she tried to maintain her privacy.

"I know that my fans want to know who I'm sleeping with," she once said, "but it's really none of their business."

She was once arrested and taken off her Concorde flight for assaulting a female security officer at London Heathrow airport.

In the '70s, according to media reports, Natalie Cole visited Ross backstage and started playing her piano, getting applause from her crew, prompting Ross to tell her assistant, "Get that woman off my piano!"

The "D" in Diana could just as easily stand for "drama."

While filming the 1975 film "Mahogany" in Rome, according to news stories, director Berry Gordy kept pushing a pregnant Ross for take after take, but she had enough, the story goes, and slapped Berry so hard his glasses flew across the room, stormed into her trailer with assistants in tow, and jumped on the next flight to Los Angeles. A body double had to complete her scenes. But through all the antics, Ross has enjoyed a phenomenal music career spanning more than 40 years. She has proven to be one of the most popular and multi-talented female singers of all time.

"Diana Ross was ahead of her time with respect to having a vision of becoming an independent artist who capitalized on her brand," Keith Murphy, host of Urban Journal on XM Satellite radio, 169 The Power, told BlackAmericaWeb.com.

"Diana Ross took heat for stepping out from The Supremes and going solo, but she set the bar for other African-American women and their careers in music and she influenced many artists along the way," Murphy said. "She was also accepted by white America and was one of the first crossover artists who enjoyed crossover success."

Murphy said Ross was also able to market her acting talents in Hollywood and proved her acting abilities in movies like the critically-lauded 1972 hit, "Lady Sings The Blues," in which Ross was widely praised for her leading turn as the tragic singer Billie Holiday, a role that landed her an Academy Award nomination.

"She had no acting experience, just God-given talent," Murphy said. "She is a true diva."

Born Diane Ernestine Earle Ross in 1944 in Detroit, Michigan, the second of six children born to Fred and Ernestine ROss, the musical performer spans a genre of music from disco to R&B. After being raised in housing projects for most of the late 1940s and early 1950s, Diana started singing in the gospel choir of a Baptist church.

She began her professional career as the lead singer for the seminal all-girl group, The Supremes, when she was introduced to Motown executives by Smokey Robinson during an audition at Motown in the 1960s.

From 1965 to 1969, The Supremes had a string of number-one records that helped secure the Motown sound on its pedestal in black music history, mainly thanks to Ross' engaging presence and vocal talent. In late 1969, Motown Records founder Berry Gordy announced that Ross would be leaving the group for a solo career.

Venturing the music scene solo, Ross became the first female artist to gain six number-one hit singles.

"There has never been a musician such as Diana who has been able to capture the ears of many," Tony Pink, a fan of the Ross for many years, told BlackAmericaWeb.com. "She was able to entertain many people of all ages."

Ross was a millionaire while still in her teens, but in 1981, she became "a walking corporation," according to Essence icon Susan L. Taylor, "controlling her own management, film and music production, and music publishing." She was also, in Taylor's words, "an international megastar."

In the early decade of her career, Ross became the most successful female musical artist. Her accomplishments and awards include the Tony Award for the best musical special "An Evening with Diana Ross," a Golden Globe in 1972 for her role in "Lady Sings the Blues" and seven American Music Awards.

By the late 1970s, the critically famed artist was named female entertainer of the century by the Billboard Magazine, fueled by hits such as 1973's "Touch Me in the Morning," "You Are Everything" (with Marvin Gaye) in 1974; 1975's pensive "Theme From Mahogany (Do You Know Where You're Going To)" and the disco smash, "Love Hangover" in 1976.

The 1980's brought a succession of chart-topping LPs from Ross like "Why Do Fools Fall in Love," "diana" and "Swept Away," bouyed by popular singles that include the hits "Upside Down," "I'm Coming Out," "It's My Turn," "Endless Love" (with Lionel Richie) and "Missing You."

Later, in 1993, she was feted as the most successful female music artist of the 20th century by the Guinness Book of World Records, with a total of 70 charted hits in the United Kingdom.

Ross has received many prestigious awards, including The Soul Train Legend Award and the French Commander des Lettres medal, and she was honored with an entire day of celebration at the international MIDEM music festival in the South of France. As the honoree, she became the only woman to receive such an honor in the 25-year history of the event.

The proud mother of five was again honored in France last year when she received the Medaille de Vermeil de la Ville de Paris (City of Paris Medal), the city's highest award, given to those who have played a positive role in favor of the Parisian community.

William Ruhlmann, a writer with All Music Guide, said "Diana Ross is a leader, gifted, talented; the spirit, power and history of American soul music condensed into one voice."

With all the awards gained, Ross contributes her time to many organizations. She became the spokesperson for National Children's Day. She is also on the board of A Better Chance, the only national program that recruits and places academically talented inner-city children in the nation's best preparatory schools.

In her efforts to help communities across the country and throughout the world, she has raised millions of dollars for the numerous charities to which she has lent her name. Her efforts have earned her much deserved recognition as a woman of strength, integrity and above-all, concern.

In 2004, McNally Smith College of Music honored her by the establishment of a full four year scholarship in her name. The Diana Ross Performance Scholarship is awarded each year to an outstanding student who is pursuing a Bachelor of Music degree.

South African President Nelson Mandela invited her to sing at the opening of his country's Sundome, which is the country's largest purpose-built indoor arena. After their first meeting, Mandela said Ross was "someone who always seems to be running, never walking. She is an inspiration to us all."

From her early years as a Supreme, Ross has become a legend throughout the world. In her memoir, "Secrets of a Sparrow," Ross talks about being a performer and the blessings she has received, "It's been fun - the complexity of being a black female performer, having my own business and being strong and decisive."

Today, after more than four decades, Ross has continued to produce an endless stream of chart singles and sell-out tours.

"It is that love of life, that never-ending wonder, the appreciation of goals and achievements and sheer human spirit which defines the artist that is Diana Ross," Ruhlmann said, "and continues to make her one of the most identifiable, unique, beloved and influential singers of successive pop generations."

Friday, June 08, 2007

DIANA ROSS TO PERFORM PRIVATE CONCERT IN HAMPTONS TO BENEFIT THE


"An Evening Under the Stars" is THE Most Anticipated Event this
Summer!


(Quogue, NY – June 7, 2007) – Legendary artist and superstar Diana
Ross will perform a private concert for the guests of An Evening
Under the Stars benefiting the Diabetes Research Institute (DRI) on
Saturday, August 25th in Quogue. Generously underwritten and hosted
for the second year by Jill Viner and Cliff Viner in their beautiful
beachside home, this extraordinary fête will feature an unforgettable
gastronomic experience presented in a dramatic oceanfront setting.
Miami-based event virtuoso Barton G. will again conceive, design and
produce the entire affair, which promises to be even more ultra-
fabulous than last year.

"I have been so impressed with the Diabetes Research Institute, but
we still need to help the scientists find a cure. For me, it?s
personal; I have a brother who has diabetes," said Jill Viner, who is
a member of the DRI Foundation?s National Board of Directors. "I
started thinking about what I could do and then I spoke with Barton,
whom I?ve worked with for years. We came up with the idea for this
event last year, and I?m happy to be hosting it again this summer."

A minimum donation of $750 per person is requested, and attendance is
by invitation only and is non-transferable. Sponsorship opportunities
are also available from $5,000 to $50,000, several of which include a
private reception with the artist.

Proceeds from the event will support the Kids PumpED project at the
DRI, a program designed to help children with type 1 diabetes better
manage their disease with the newest technological tools, education
and management techniques.

"We're excited and pleased to have the Diabetes Research Institute
Foundation as the beneficiary of such a high-profile and special
event. We're thankful to Jill Viner and Cliff Viner and Barton G.
Weiss of Barton G. for their effort and support in putting this great
evening together," said Robert A. Pearlman, president and CEO of the
DRI Foundation. "The willingness of such extraordinary people to give
of themselves is further evidence that the Diabetes Research
Institute Foundation is truly the organization of choice for people
searching for a cure for diabetes."

For more information, please call the Diabetes Research Institute
Foundation at 212.888.2217.



About the Diabetes Research Institute and Foundation

The Diabetes Research Institute Foundation is a not-for-profit
organization whose mission is to provide the Diabetes Research
Institute at the University of Miami with the funding necessary to
cure diabetes through islet transplantation and other cell-based
therapies.

The Diabetes Research Institute is a recognized world leader in cure-
focused research. Pioneering many of the techniques used in islet
cell transplantation since the early 1970?s, the DRI has successfully
reversed diabetes in patients involved in ongoing clinical trials.
DRI research is now directed at improving transplant processes and
developing new biomedical technologies and cell-based therapies to
restore insulin production. For the millions of families already
affected by diabetes, the Diabetes Research Institute is the best
hope for a cure. For more information, visit www.diabetesresearch.org
or call 1-800-321-3437.



About Barton G.

Founded in 1994 by Barton G. Weiss as an events production company,
Barton G. quickly emerged as an international leader in the industry.
Today, the company has expanded to include Barton G. The Restaurant,
one of South Beach?s most desirable dining destinations, off-premise
catering, exclusive venues and destination management services.
Always, the Barton G. signature is characterized by the delivery of
memorable multi-sensory experiences. For more information about
Barton G., visit www.bartong.com or call (305) 576-8888.

Thursday, June 07, 2007

Diana Ross related news!! 20 People Who Changed Black Music: Smokey Robinson, the Velvet Voice and Quiet Force


By MONICA LEWIS
BlackAmericaWeb.com

When you think of Motown, the legendary music label that defined an entire era, a few names come to mind.

Yes, Diana Ross exemplified glitz and glamour; Marvin Gaye oozed sensuality, and Berry Gordy, Jr. was the bona fide boss. But Smokey Robinson was the label's true Renaissance man. Robinson could just as easily belt out a hit, identify an up-and-coming act or pen a tune that would quickly rise to the tops of the charts.

Al Payne, operations manager for Radio One's four-station cluster in Richmond, Virginia, said Robinson could be viewed as an architect of contemporary black music.

"I am amazed at how his music and business savvy seemed to create a blueprint that would be followed for generations to come," Payne told BlackAmericaWeb.com.

"We've all read about, heard about or experienced the marketing genius of Smokey and his Motown contemporaries," Payne added. "They shook up both the black and 'general market' charts with strings of back-to-back hits and paved the way for continued dominance of modern R&B music."

Dominate indeed. Robinson first stepped on the scene as a teenager, starting a group called the Five Chimes with some high school friends in Detroit in 1955. Two years later, the Five Chimes were renamed the Matadors and featured two new members, including his future wife, Claudette Rogers. Barely out of his teens, lead singer Robinson and the Matadors were headlining acts in local Detroit venues. By 1958 and with an emerging partnership with songwriter Gordy under his belt, Robinson had once again changed his group's name, settling on the Miracles. Singles had been issued on two labels, but Robinson was urging Gordy to start up his own.

In 1959, Gordy founded Tamla Records, which would eventually become Motown Records. The Miracles were among Motown's first signees, and Robinson was taking in all that he could from impresario Gordy. After the 1960 release of "Shop Around," the first Motown hit to reach No. 1 on the R&B singles chart and the label's first million-selling album, the Miracles were legitimate players in Motown. Robinson was named vice president of the label in 1961, a position he would hold for more than a quarter century.

In addition to recording a string of hits through the 1960s, including "You've Really Got a Hold on Me," "Mickey's Monkey," "Ooo Baby Baby," "The Tracks of My Tears," and "I second That Emotion," Robinson wrote and produced hits for other members of the Motown family. Without Robinson's talent and vision, Mary Wells may never have told us about unconditional love in "My Guy" and Marvin Gaye would never have had a hit in "I'll Be Doggone."

Robinson, who appeared in VH-1's biopic of The Temptations, was a major contributor to the group's success, serving as their primary songwriter and producer from 1963 to 1966. Favorites like "The Way You Do The Things You Do," "My Girl," "Since I Lost My baby," and "Get Ready" are synonymous with the sounds of Motown.

Mainstream entertainers like Bob Dylan and the late John Lennon were just as quick to praise Robinson as black fans and entertainers did. Dylan called Robinson, who has more than 4,000 songs to his credit, "America's greatest living poet." Lennon, who rose to fame as a member of The Beatles, said in a 1969 interview that one of his favorite songs was The Miracles' "I've Been Good to You."

Niecy Davis, assistant programs director for Radio One in St. Louis, said Robinson was - and still is - an innovator.

"He was a huge factor in the Motown sound," Davis told BlackAmericaWeb.com. "Smokey did a lot of the writing and what we now call A&R (for artist and repetoire) at Motown. He moved into management, and he's still doing it."

By the 1970s, Robinson wanted to leave the Miracles to dedicate time to family and business and focus on his solo career. His 1976 MP and single "Quiet Storm" was more than a song; it ushered in a new radio format -- a slow style of R&B that was a must for late-night listening. His other solo hits – 1979's "Cruisin," 1981's "Being With You," and "Ebony Eyes," a 1983 duet with Rick James are still jams that will make someone stop and sing along.

Today, Robinson is still a force in the industry. He was a featured judge in the most recent season of "American Idol;" he's proven that he's just as good in the kitchen as he is in the studio with SFGL Foods, a special brand of gumbo launched in 2004, and he was awarded a Kennedy Center honor in December 2006 for his contribution to the arts.

Robinson is a unique entertainer with whom today's artists and producers would have a hard time competing, Davis said.

"He is truly," she told BlackAmericaWeb.com, "a living legend."