Tuesday, April 08, 2008

DIANA ROSS: EVERYTHING IS EVERYTHING




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DIANA ROSS: EVERYTHING IS EVERYTHING [Expanded Edition]
Pre-Order due April 22
Item# B000809302
$21.99
Product Description
You asked for it and here it is: Everything Is Everything, Diana Ross’s 1970 sophomore solo album, is finally available on CD in the U.S. for the first time.


Released even as her debut solo album was still on the charts, EIE featured productions by Deke Richards, the leader of the “Corporation” team responsible for the Jackson 5 hits. The album didn’t produce a major hit along the lines of “Ain’t No Mountain High Enough,” Ross’s big smash that year, but “I’m Still Waiting” became a U.K. No. 1. “I Love You (Call Me),” a cover of Aretha Franklin’s hit, was nominated for a Grammy® (it lost to Aretha herself). The complete, fascinating story is all here in this beautiful, expanded edition that includes seven bonus tracks from the Motown vault.


Among the stunning bonus tracks are unreleased covers of the Beatles “Something” and the Oscar®-nominated song “What Are You Doing The Rest Of Your Life,” alternate lyrics to “Ain’t No Sad Song,” a remix of “Come Together” – plus the hit U.K. remix of “I’m Still Waiting.”


In the booklet, Deke himself tells fascinating stories of the album’s genesis. Why, even as Ashford & Simpson were cutting the tracks that became the hits, Berry Gordy asked him to make this album. How, months after the album’s release, the U.K. embraced “I’m Still Waiting.” How the longest title in Diana’s repertoire came to be. How Deke wished to get Burt Bacharach to write a song for Diana, and what resulted instead. What happened to the bonus tracks—and where in all this fits Motown’s west coast guru Hal Davis.


Featuring stunning never-before seen photos, detailed annotations, digitally remastered audio, and never-before heard studio chatter, this collection is a must-add for every Diana Ross fan.


Order fast: the expanded edition of Diana Ross’s Last Time I Saw Him is nearly sold out, and this will go fast too.


Original Album + Bonus Tracks. Tracks 12-17 previously unreleased
1. My Place
2. Ain't No Sad Song
3. Everything Is Everything 4. Baby It's Love
5. I'm Still Waiting
6. Doobedood'ndoobe, Doobedood'ndoobe, Doobedood'ndoo
7. Come Together
8. The Long And Winding Road
9. I Love You (Call Me)
10. How About You
11. (They Long To Be) Close To You
12. Wish I Knew
13. What Are You Doing
14. Something
15. Ain't No Sad Song - alternate lyrics
16. Baby It's Love - alternate vocal
17. Come Together - 1982 "Revelations" remix
18. I'm Still Waiting - 1990 Phil Chill remix

Friday, February 29, 2008

Supreme night out at the summer pops

Supreme night out at the summer pops
Feb 29 2008 by Jade Wright, Liverpool Echo

LEGENDARY soul diva Diana Ross will make a dazzling return to this year’s Summer Pops.

The Motown superstar will make her first appearance in Liverpool for three years when the event moves to the ECHO Arena.

The city concert is one of two the former Supreme will perform in the UK this year, with the warm reception she was given back in 2005 said to be the reason behind her decision to come back.

Her performance then won rave reviews and featured songs from across her five-decade back catalogue.

Her return was one of four gigs announced for this year’s Summer Pops today.

Simply Red frontman Mick Hucknall, American rock band Counting Crows and three monsters of rock, Def Leppard, Whitesnake and Thunder, will also take to the stage at the waterfront venue.

The latter three acts will join up for a triple bill to remember, with Whitesnake frontman David Coverdale bringing his band back on to the road to celebrate its 30th anniversary.

He said: “It is about time we had new songs to present to the Whitesnake choir. This album has all the elements I enjoy about Whitesnake and more.”

Hucknall will perform in his own name in Liverpool for the first time, after the release of his debut solo album Tribute To Bobby.

Simply Red last took to the stage at the Summer Pops two years ago.

Counting Crows, who will make their Pops debut, will release their eighth album next month, with the help of renowned Liverpool producer Gil Norton.

The six new acts join confirmed artists Michael Bublé, Crowded House, Deacon Blue and The Australian Pink Floyd for this year’s series of events.

ECHO essentials

MICK Hucknall plays the Summer Pops on July 1, tickets £32.50 or £38.50.

Counting Crows play on July 8, tickets £32.50 standing and seating.

Diana Ross plays on July 12, tickets £35 or £45.

Def Leppard, Whitesnake and Thunder play on July 15, tickets £37.50.

Tickets for these shows are on sale now, excluding Counting Crows, which go on sale at 9am on Friday March 7.

A limited amount of Gold Circle tickets are available each night.

For tickets and the VIP Pops experience, call the ECHO Arena on 0844 800 0400, go online to www.accliverpool.com, Ticketmaster on 0844 847 1616, Ticketline on 0151-256 5555, Seetickets on 0871 220 0260, Liverpool Direct on 0151-233 3007 or in person from the 08 Place or arena box office.

jadewright@liverpoolecho.co.uk

Wednesday, February 13, 2008

IAD RADIO PRESENTS A DIANA ROSS TRIBUTE “IT’S TIME TO SAY WE LOVE YOU!”


IAD RADIO PRESENTS A DIANA ROSS TRIBUTE “IT’S TIME TO SAY WE LOVE YOU!”


Diana Ross is a global entertainment icon and a legendary musical treasure. Her music has for decades, inspired romance, happiness and joy. Diana has inspired so many to pursue their dreams and to make a positive difference in the world!!! Many artists and fans across the world will express their gratitude and love to the one and only Diana Ross. Do not miss this incredible tribute at www.iadradio.com

VISIT US ON OUR INTERACTIVE WEBSITE AT WWW.IADRADIO.COM TO LISTEN TO OUR CURRENT SHOW AND SEE HOW YOU CAN GET INVOLVED WITH THE SHOW TO MAKE A POSITIVE DIFFERENCE IN YOUR AREA NOW!

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Tuesday, February 05, 2008

Meeting Diana Ross Fans Houston


Greetings Ross Fans –

The attached are scheduled activities planned for Houston next week.

I ask that all fans staying at the Magnolia Hotel, please reply to me with the correct spelling of you first and last name.

If you are NOT staying at the Magnolia Hotel, yet would like to attend any of these events, please let me know IMMEDIATELY! Space is limited.

All events WILL take place at the Magnolia Hotel.


EVENTS FOR MONDAY 2/11/08

Remember Me Reception

5:30p

As Miss Ross once wrote, “It’s important to laugh a lot, lighten up!” Take time to enjoy a glass of wine, soda or beer while mingling with Diana Ross Fans from all over the world! This casual event will allow you to catch up with familiar faces and meet Ross devotees of all ages.

**Open to All Fans **Beverages are complimentary for Magnolia Hotel Guests**



A Life Time To Get Here: The Written Works

8:15p

This 40 minute session will allow Ross fans to discuss literature and biographies written about Miss Ross. Examining Ross fact vs. Ross Fiction, this mature discussion will be hosted by acclaimed author Tom Adrahtas. Mr. Adrahtas’ recent biography, A Lifetime To Get Here: Diana Ross, The American Dreamgirl, is a popular fan favorite, and a top seller on Amazon.com. Mr. Adrahtas will read excerpts from his best seller, discuss research he conducted and answer questions.

Signed copies of A Lifetime to Get Here: Diana Ross, The American Dreamgirl will be available for purchase.

**Open to All Fans**



EVENTS FOR TUESDAY 2/12/08

Chain Reaction Meet & Greet Welcome Breakfast

8:00a

“It’s gotta be Once In The Morning-” and yes, we’re talking about breakfast! Join the Ross gang bright and early for complimentary continental breakfast. Enjoy the most important meal of the day with the greatest fans. As we get ready for the Brilliant Lecture from the Supreme Diva, start your day right, with a fellow Ross fans, good eats and good friends!

**Magnolia Hotel Guests Only**



Supreme Lady Trivia

3:00p

This hilarious 60 minute show will group fans into teams as they test their knowledge on The Supreme Lady (a.k.a. Miss Diana Ross)! Borrowing elements from classic game shows like Jeopardy, Name That Tune, Family Feud and Win, Loose or Draw contestants will answer questions pertaining to Miss Ross and her career. Fans who wish to participate should prepare to sing, act, pose and LAUGH! With various challenges, speed rounds and Do OR Die questions- this activity will determine Who’s The Boss!

**Open to All Fans**



If We Hold On Together: Brilliant Lecture VIP Departure

5:30p

Fans who wish to walk to the Hobby Center from the Magnolia Hotel will meet and begin the 7

block / 10 minute walk (weather permitting) to the event. Group will depart promptly. Please plan accordingly, as to NOT be tardy - as Fans will be eager to see Miss Ross!

**Open to All Fans**









For info DeMarcio.Slaughter@SageHospitality.com

DeMarcio Slaughter

Event Organizer for Houston / Ross Rules

Monday, January 07, 2008

DIANA ROSS, WAYNE BRADY AND JERSEY BOYS WILL OPEN VENETIAN’S NEW $3-BILLION PALAZZO EXPANSION

DIANA ROSS, WAYNE BRADY AND JERSEY BOYS WILL OPEN VENETIAN’S NEW $3-BILLION PALAZZO EXPANSION Jan 8, '08 12:08 AM
for everyone

DIANA ROSS, WAYNE BRADY AND JERSEY BOYS WILL OPEN VENETIAN’S NEW $3-BILLION PALAZZO EXPANSION
It’s going to be a nonstop 72-hour three-day opening weekend of festivities to celebrate the new Palazzo resort alongside the Venetian. Luxe Life has learned that it all kicks off Thursday of next week with a VIP-red carpet extravaganza at the new Barney’s New York mega fashion store as many of the retail shops and restaurants, including my New York friends from Sushi Samba, open up for the first time. Music-moguls Jay Z and Beyonce have already opened their new 40/40 club, but expect celebrity chefs Wolfgang Puck, Emeril Lagasse and Charlie Trotter to be on hand for the kickoff—pouring champagne and serving up taste treats.

All day Friday (Jan 18) it will be a “peek at the Palazzo” for invited guests to explore all of its amenities and attractions. Then Saturday, improv comedian Wayne Brady will host the all-star concert gala with performances led by superstar singer Diana Ross and the cast of the Jersey Boys. (Wayne headlines at the Venetian and the Jersey Boys debut in the new Palazzo theatre this spring. Diana recently opened the Venetian’s new Macau resort convention hotel).

Wednesday, November 14, 2007

Diana Ross At Dubai's Airshow Dinner



Legendary singer Diana Ross produced a memorable performance at the Dubai Airshow Gala Dinner entertained over 4,000 guests. The event was jointly organised by Emirates Airline, Dubai Duty Free and the Dubai Airports Company.

Ross was in Dubai to perform exclusively at the event. The audience included heads of state, government representatives, Airshow exhibitors, business representatives and media.

The Dubai Airshow Gala Dinner, which was one of the highlights of the Airshow’s 10th anniversary celebrations, was staged outdoors at the majestic Dubai International Marine Club.

During the evening, Shaikh Ahmed bin Saeed Al Maktoum, President of Dubai Airports Company and Chairman and Chief Executive of Emirates Airline and Group, presented the Dubai Airshow exhibitor awards.

Paul Griffiths, Chief Executive Officer of Dubai Airports, also provided guests a detailed update on the historic week at the 10th Dubai Airshow.

Following the speeches and award presentations, Ross, who looked stunning dressed in a shimmering white gown and boa took centre stage and opened the concert with the Motown classic ‘I’m coming out’. Guests flocked to the stage and were captivated by Ross’ impeccable voice, dynamic dancing and stage presence.

Ross also performed hits including ‘Ain’t No Mountain High Enough’, ‘Do You Know Where You’re Going To’, the theme song from her 1976 film ‘Mahogany’, and songs from her days in the Supremes. The legendary artist entertained guests for over an hour and ended the spectacular concert with a mesmerizing performance of ‘I will survive’.

Shaikh Ahmed bin Saeed Al Maktoum said: “Over the years, the Airshow Gala Dinner has attracted top international performers and has proven to be one of the most popular social events on the Airshow calendar. We were thrilled that Ross joined us for this special occasion, particularly as this year marks the 10th anniversary of the Dubai Airshow.”

Saturday, November 03, 2007

Wednesday, October 24, 2007

A Cellarful of Motown Vol.3


A Cellarful of Motown Vol.3
~ Various Artists (Artist)
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Price: £11.99 & eligible for Free UK delivery on orders over £15 with Super Saver Delivery. See details and conditions


Availability: In stock. Dispatched from and sold by Amazon.co.uk.


Want guaranteed delivery by 1pm Thursday, October 25? Order it in the next 7 hours and 0 minutes, and choose Express delivery at checkout. See Details



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Track Listings
Disc: 1
1. You're Walking Out With My Heart - Holloway, Brenda
2. This Love Will Never Die - Miracles
3. Get Ready - San Remo Strings
4. Love Is Good - Marvelettes
5. Jealousy Is Creeping Up On Me - Contours
6. Easier Said Than Done - Edwards, Dennis
7. At The Go Go - Wonder, Stevie
8. Memories Of Her Love Keep Haunting Me - Spinners (2)
9. I'm In Love Again - Shorty Long
10. I Can't Let Him Go - Fair, Yvonne
11. Come On And See Me - Clark, Chris (1)
12. Never Give You Up - Blinky & Edwin Starr
13. Just Too Much To Hope For - Monitors (1)
14. Loving You (Is Hurting Me) - Fantastic Four (1)
15. SOS Girl In Distress - Johnson, Marv
16. Thief Of Love - Page, Oma
17. Too Young Too Long - Crawford, Carolyn
18. You Stay On My Mind - Paul, Clarence
19. Come Back My Love - Temptations (1)
20. Chance With You - Gaye, Marvin
21. Watch Your Step - Varo, Mike
22. Boy From Crosstown - Marvelettes
Disc: 2
1. We'll Keep On Rolling - Holloway, Brenda
2. I Can't Help Loving You Baby - Contours
3. I'm Here Now That You Need Me - Barnes, J.J.
4. Judge's Daughter - Originals (1)
5. Something About You - Dean, Debbie
6. Soldier Of Love - Four Tops
7. I'm Gonna Get You - Knight, Gladys & The Pips
8. Don't Stop Loving Me - Jo, Ivy
9. Sweet Sweet Love - Lollipops
10. I'm Doing The Best I Can - Walker, Junior & The All Stars
11. Cindy - Taylor, Bobby
12. Little Girls Grow Up - Marvelettes
13. Too Late I Learned - Spinners (2)
14. Beware Of A Stranger - Wright, Rita
15. You Took Me This Far Take Me All The Way - Starr, Edwin
16. Can I Get A Witness - Blinky
17. There's Always Room For Love In A Movie - Kayli, Bob
18. Farewell Is A Lonely Sound - Peterson, Paul
19. You've Made Me So Very Happy - Little Miss Soul
20. Honey Hut - Shorty Long
21. Honey Boy - Little Lisa
22. This Is Goodbye - Headliners (1)
23. Going To A Go Go - Holloway, Brenda & The Supremes

Detroit Street Named After Motown Legend




DETROIT (AP) — A section of the street where the Motown sound originated has been renamed for Berry Gordy Jr., the music label's legendary founder.

The Detroit City Council unanimously voted to give a section of West Grand Boulevard the name, Berry Gordy Jr. Boulevard, Councilwoman Martha Reeves said Wednesday in a statement.

Berry Gordy Jr. Boulevard will stretch west from the John C. Lodge freeway to Grand River Avenue. It includes the block where "Hitsville USA," Gordy's former home and Motown recording studio, stands.

A dedication ceremony was planned Friday.

"This is a dream come true for me, to succeed in a venture that has been in my heart since my days at Motown," said Reeves, an original member of the Motown group, Martha and the Vandellas.

Motown produced music icons such as Stevie Wonder, Diana Ross and the Supremes, The Miracles, Four Tops, Temptations and the Jackson Five.

Sunday, October 21, 2007

'Oo Baby Baby:' Motown's 50th launched with a high-spirited soiree


'Oo Baby Baby:' Motown's 50th launched with a high-spirited soiree
Susan Whitall / Detroit News Music Writer

A three-year Motown party kicked off Saturday night with a five-hour bash at the Detroit Marriott, as Berry Gordy Jr. and his Motown family gathered to toast the coming 50th anniversary of the now-legendary record company Gordy founded on the near west side.

"We're celebrating three things, one is Smokey (Robinson's) and my 50 years as great friends, also 50 years of the Miracles being together, and 50 years of Motown and what it meant to us and the world," Gordy said after dinner.

Detroit Mayor Kwame Kilpatrick addressed the audience. "I wasn't around when you were making all this music," he told the audience, which included the original Miracles. "Good thing you put it on vinyl! I was dancing in the living room with my mom." He also thanked Smokey Robinson for the song "Oo Baby Baby" and those "blue lights in the basement" parties, "Because I think it's the reason I'm here."


Among the assembled were Detroit City Council member Martha Reeves; the Velvelettes; songwriter/producers Brian and Eddie Holland; former Motown sales executive and president Barney Ales; producers Robert Bateman and Clay McMurray; former executive Billie Jean Brown; secretary and songwriter Janie Bradford and Motown's A&R director Mickey Stevenson.

Smokey Robinson reunited onstage with his surviving Miracles -- Bobby Rogers, Claudette Robinson and Pete Moore (Ronnie White died in 1995) -- for the first time since Motown 25, he reckoned, to sing "Tears of a Clown."

Later Robinson sang a song he'd composed about his friendship with Gordy.

"It's a love story between two straight guys," Robinson said, to startled laughter.

His friendship with Gordy was based on love, Robinson explained, but the two are also fierce competitors.

In fact, Gordy beat Robinson in golf recently, and when the Motown boss gave a brief speech about Motown's plans for the coming three years, he gleefully mentioned the win.

A shout could be heard from Robinson's table.

"What? That had to be Smokey," Gordy said.

"Tell the truth!" someone yelled.

"Who are you?" Gordy demanded, peering at the heckler. "OK, so he beat me at chess. But golf is his favorite sport, and I beat him at golf."

After Robinson finished his song, he came over and hugged Gordy for what seemed like 5 minutes, broke the hug, then started hugging him all over again.

"He wouldn't let me go!" Gordy joked afterward.

Also in town for the weekend's events was Suzanne DePasse, the producer of Motown 25 and all the other Motown reunion TV shows, as well as "The Temptations" movie. The Los Angeles-based writer/producer was sitting at the main table with Gordy and Robinson. She explained why it was so important that a documentary film on Motown based upon Gordy's own memories should be done.

"He's been silent for so long, and with 'Dreamgirls' (which fictionalized Motown's history) and a lot of other stuff, that intimate first person narrative is what's been missing. This is the perfect occasion for us to bring it forward, next year."

DePasse said that there will also be a feature film on Motown, a stage musical and the '80s Motown reunion shows will be released on DVD.

"And there's a big concert we're looking at doing, possibly in China, celebrating the music around the world."

Teena Marie, the diminutive, funky singer who invigorated Motown in the '80s with Rick James and on her own, served as the main entertainment.

She performed some of her early songs, like "I'm a Sucker For Your Love" and "Square Biz," and did an homage to her mentor Rick James that had her Motown colleagues all up and dancing.

On Friday, Motown alumni gathered at the Motown Historical Museum on W. Grand Blvd. for a ceremony marking the designation of a section of the byway "Berry Gordy Jr. Blvd." That night there was a jam session at a Southfield jazz club, where etiquette teacher Maxine Powell boogied as Motown guitarist Dennis Coffey played "Scorpio." Gino Parks performed a smoking "Money," the Gordy-written song first done by Barrett Strong in 1960, and later Councilwoman Reeves could be seen doing the Funky Chicken.

Gordy told the audience that he walks every morning, and on Saturday morning he'd walked up and down the new River Walk outside GM world headquarters and the Marriott, and was impressed with what he saw.

"I was happy to see Saint Antoine street, I was raised on Saint Antoine and Farnsworth," Gordy said. "Detroit is a wonderful, wonderful place."

Offstage, Gordy elaborated. "Being born in Detroit was a very big blessing for me," Gordy said.

"No, really! We were stronger than other people! Just getting to work, cleaning your tires, getting the chains off when we finally got to work, we'd already done half a day's work! When we went around the country and the world, we found out that our team is stronger, we're smarter, because we'd gone through a lot of stuff."

You can reach Susan Whitall at (313) 222-2156 or at swhitall@detnews.com

The Brilliant Lecture Series – With Diana Ross


The Brilliant Lecture Series –

Conversations with Brilliance was launched in October 2006 with a hugely successful lecture featuring Her Majesty Queen Noor of Jordan, and we followed this with Sir Sidney Poitier in February and Secretary-General Kofi Annan last month. Over 10,000 people attended these lectures, held in Sarofim Hall at the Hobby Center, of which a good 55% to 60% were students and their families.
Each speaker will take the audience on a journey of their life by presenting their life in the form of a story for 45-50 minutes. After the lecture, the speaker will take questions from the audience (8-10). This is the first time she has agreed to participate in a lecture series. Diana Ross is not on a speaker circuit, so we are very excited to hear what she has to say. Each VIP patron will participate in a pre-VIP reception (starts at 6:00pm), and have the opportunity to meet Diana Ross, photo with Diana Ross and receive an autographed copy of her book after the reception you will attend the lectures with priority seating.

We are taking reservations for ticket because of the high demand, the tickets will be sent mid November 2007. FYI: The Hobby Center for Performing Arts in located downtown Houston, conveniently located near many hotels.

Once again, we are only selling VIP Patron tickets at this time ($200.00). General tickets will not be available until the first of December 1, 2007.

Thank you for spreading the word, we hope to see you there!

Yours in community spirit,
Lynn

Lynn C. Page
Development Director
The Brilliant Lecture Series
1726 Augusta Drive, Suite 104
Houston, Texas 77057
Office: 713-974-1335
Fax: 713-974-1371
http://www.brilliantlectures.com

Thursday, October 18, 2007

ARE YOU THE UK’S BIGGEST DIANA ROSS FAN?


ARE YOU THE UK’S BIGGEST DIANA ROSS FAN?

DO YOU KNOW EVERYTHING ABOUT DIANA AND HER MUSIC?

If so, we want to hear from you!


We are currently developing a brand new, primetime TV series and want to hear from the UK’s biggest DIANA fans. For your chance to be involved, please send:

• a brief outline as to what qualifies you as a ‘superfan’
• a photograph
• your contact details


to: alice.dodge@endemoluk.com


Or to find out more, call Alice Dodge 0208 2224030

Sunday, September 09, 2007

Your Online Video May Cost You Thousands

Your Online Video May Cost You Thousands

Youve just gotten married, and are traveling the world with your new spouse on your honeymoon. A good friend who filmed the wedding and reception has just finished putting together the footage. He has posted it on YouTube so you both can relive your wedding day on your honeymoon.

The video is wonderful. It illuminates several moments youd missed in the excitement of the day. Your friend has even included your song, Endless Love, as the background music for the video.

After the honeymoon, as you unpack the doorbell rings. Opening the door you find a man asking for your signature for a package. You think, "Which aunt or uncle must be sending money"? When the deliveryman smiles, hands you the package and says, "Youve been served." you are surprise and horrified.

Confused, you tear the package open to find a lawsuit for $10,000 for copyright infringement. You wonder to yourself--could this be right? How did I infringe any copyrights? Out of curiosity you scan the pages of the lawsuit for a logical explanation. Then you find it: "the illegal use of Endless Love by Lionel Ritchie and Diana Ross in your wedding video posted on YouTube".

With all the attention YouTube has gotten from the Viacom lawsuit for $1 billion for unauthorized distribution and infringe of copyright laws, everyone has overlooked a possible next wave of lawsuits to come. Those are for the vast majority of online videos that are made by small home videographers who have included music in their videos that has not been licensed for use.

Typically music publishers and record labels have turned a blind eye to home and wedding videographers who produce their own work. Shared with an audience of usually less then 10 close personal friends and family, these home videographers have all but been ignored for years. This was before sites like You Tube, Google Video, ChickShack, AsSeenInVT and a handful of others began creating an outlet for anyone with a video camera. Now home videographers need to be warned. You may soon find yourself involved in lawsuits for illegal use of a copyrighted protected musical recording, the fines for which could be in excess of $15,000 per song.

Remember how fiercely the recording industry went after everyone from children to old ladies who downloaded songs from sites like Napster? It may be only a matter of time until they start going after videographers in the same manner.
Most home videographers are unaware of the limitations on using copyright protected music. The vast number of home Videographers wrongly assume that they can synchronize or place any music they want in their video production. In the past, a small home and wedding Videographer would usually get away with this. The problem is these wannabee Quentin Tarantinos have now begun distributing their productions to more then just a few friends and family. A video loaded online has the potential market of hundreds of thousands, or even millions, of viewers, and if youve created something popular using YouTube, you may be the next victim.

Local TV stations in America can pay tens of thousands of dollars for licensing music for their stations. This price can go into the millions if they desire to use popular artists songs.

For Videographers who have uploaded productions onto sites like YouTube and are now nervous, let me educate you a bit on how licensing works.

Simply put, copyright laws state that any music under copyright protection may not be used for any kind of video production, media presentation, websites, etc--that is, without approval from the copyright owner. Several types of licenses are usually required. These may include some or all of the following: Synchronization, Performance and Master licenses.

Now before you stress over the fact that no one will see your masterpiece or that big the bad RIAA is coming to get you -- there is a solution. First, you must remove the copyrighted music you have in your videos. Then you have the option to either write your own music for your video (most of us are not musically creative enough to go this route) - or license music from an Online Production Music Library.

Online Production Music Libraries typically lease music from their catalogs on either an individual per use basis, called a drop, or blanket licenses that will cover an entire project. The advantages of online production music libraries are the scope, depth and breadth of the catalogs. Pricing ranges greatly, depending on many variables.

Most production libraries do not create music specifically for amateur videographers, but Recently, an L.A. based production music library called TunEdge Music announced it would give special licensing for web distribution. TunEdge Music is providing access to their online catalog and for a reasonable fee their music can be licensed specifically for online creations.

Saturday, September 08, 2007

Diana Ross fan Betsy Schroeder "REMEMBER"




> This is devastating. I, too, met Betsy and her sister in Monaco,
> and on
> September 10, 2001, as if the universe were sending me strength for
> what
> was to come the next day, Betsy arrived in San Francisco to give me
> and
> a friend backstage passes to a private concert Diana did for Bank of
> America employees. After the show, she and I accompanied Diana's band
> to the Palace Hotel where in perfect innocence we toasted the last few
> hours of the world as we knew it. Betsy was with me only twice, but
> they were the two best, most sustaining times I have known, and they
> shine more brightly in my memory for her having been there. We all
> have
> many things for which we are grateful to Miss Ross, but the
> friendships
> -- some brief and sparkling, some enduring and deep, all profoundly
> cherished * born and blooming within the sound of that silken voice,
> it is for those friendships that I am most grateful.
>
> Today I shared my slim portion of Betsy's life with the students in
> the
> high school where I teach. I told them about her gifts, how she hated
> Mahogony because it meant the show was nearly over, how she preferred
> Diana solo to the Supremes, that she had a remix of "Love Hangover"
> that
> I'd never heard, that she was more down to earth than most of us, but
> relentless where Miss Ross is concerned. They were visibly moved, and
> we decided to dedicate the day's classes to her, and to honor her
> with a
> song. Monday, I will wear my backstage pass to school, as I do every
> September 10, but this year I wear it for Betsy.
>
> My deep sympathy to Betsy's family, and love to all,
>
> Joseph Hill

Friday, September 07, 2007

A review Betsy Schroeder wrote in June 2004, after the Diana Ross Greenwich concert.


Betsy Schroeder passed away at August 22nd 2007, here a review she wrote in 2004!!
In memoriam on www.dianarossfanclub.net

I had such a wonderful Thursday afternoon & evening in Greenwich with our lovely Ms Ross! Now you know that when you put me with Diana Ross & traveling, there is going to be some adventure with it, so be patient...I'll eventually get to the show!!!

It all started Tues when I sat at myg computer & read a WONDERFUL post with a link to the Greenwich Times–free concert in Greenwich Thur pm. Before I even finished reading the story, I was checking out airfare, mostly to convince myself that OF COURSE I can't go 3000 miles to Greenwich the next day. SURPRISE!!! I find an affordable flight, & all of the sudden I was seriously thinking about going. It's never that simple, though. A little background...I have been very ill for the past 2 years (since the LAST Ross US "tour" which I was fortunate enough to attend :-).

I am MUCH, MUCH better now, but I am confined to a wheelchair, have residual visual impairment, etc... and require a care giver. I was able to talk my reluctant care giver into going with me (doubling airfare...ughhh!), find an available hotel, determine that the Greenwich train station is not really wheelchair accessible, rent a car, convince my care giver that traffic would be no worse in NYC at the times we would be driving than it is in Seattle's rush hour so of course she could drive, pack, & reschedule my dialysis for 6:00 the next morning, but uh oh, all of this started ~ 10:00 pm so it was a little late to find someone to stop in & see the kittens (Malea & Sharaya :-) that I had just gotten that day. I gambled that this would not be a problem & purchased our tickets with my fingers
crossed.

After an all too brief sleep with kittens nearby, I headed for dialysis where I cancelled my PT, other home health care, etc...Then we headed directly to the airport, where we discovered that mycare giver had not brought my bag...I would have found a way to deal with not having my life sustaining medications, but I couldn't get on the plane without an ID!!!!! This is why one must always plan to complete travel the day BEFORE the concert. I learned that the hard way with RTL in Philly, remember that? The show that I DIDN'T get to attend despite having an EXCELLENT seat! Fortunately, the red-eye flight was available. It was only more money...but at this point I was already so deep into the idea of this show both financially & emotionally...what's a little more $$$, right? So back home we went.

Several hours later we headed back to the airport, with my having run through a checklist with my care giver (because clearly the written list I had given my care giver wasn't enough). I saw all of my stuff & ran through her stuff verbally, sight unseen. Oops!!! Big mistake!!More later...

We ultimately arrived at LGA ~9:00 am & went to the rental car place. Did you guys know that those big rental car buses lower for wheelchairs? The whole bus! Very cool! Then we discovered that my care giver didn't bring her drivers license. I couldn't believe it!

I had specifically asked her if she had her license before we left. I was livid!!!!But a solution must be found, so we hired car. It's just more $, right??? So this relatively cheap trip was starting to add up. It was ok, though, because the end point was Diana :-).

We arrived in Greenwich, where the driver couldn't find the park, nor could anyone he asked help out. I told him what little I knew from the newspaper reports, which he felt the need to ignore, but I was too tired to care, having had only ~4 hrs sleep in the previous 2 nights. We had a brief tour of Greenwich's "back
woods," where Greenwich's not-so-wealthy live ;-).

I hadn't been to Greenwich in ~15 yrs & forgotten how beautiful it is, but business district traffic has worsened significantly. FINALLY when I asked someone where Diana Ross would be that night instead of using the park's name we got some decent directions. He dropped us off ~12:00 & we planned to spend the afternoon in the park, but they wouldn't let us in: "The park is closed until 6:00." I didn't completely believe that, but I knew that we would be able to see the show if we came
back a little later. Next task: finding a cab to take us to our hotel. No problem: the train station is a couple of blocks away.

Well, of course it wasn't that simple. The sidewalk was not wheelchair friendly, & the train station & cabs were up either a huge flight os stairs or an incredibly long, steep ramp. We ultimately got a cab & found our hotel. We had a couple of hours to eat & sleep before returning to the park for the sound check. I really needed to sleep, but I didn't trust myself to get up, & I was NOT going to miss this show!!!

We headed back to the park in time for the sound check, which was actually better than the show. Diana was a vision in white. She wore a fitted white top with 3/4 length sleeves. It almost looked like a leopard & emphasized her tiny (again) waist. Her skirt was unique, looking somewhat like curtains, but she pulled it off. She had a redish scarf around her neck that she played with a lot, using it as a wrap (it looked like it had been folded into a square & retained it's creases!!!). She wore heels, but I couldn't see if they were pumps or sandals, & her hair was loose until she finished and put on one of her enormous black headbands.

She was gorgeous even without her stage makeup. Through most of the sound check she sat facing the band, but she did occasionally sing to the scant crowd that was kept
REALLY far away by fences & security guards (they were really nice & helpful, even though their job was to maintain distance between me & the stage). Thank goodness for binoculars! Diana was there for close to 2 hours. Highlights for me were The Boss, WYTMTYLM, which she did NOT sing in the actual concert, & I Will Survive, just because she was silly during the first few lines, being really dramatic. She was SOOOO CUTE!!!!

It was ~6:00 when the sound check was over. They opened the park a little more so we could move closer to the stage, but we still were ~ a million miles from the stage. Everything closer was reserved for residents of Greenwich. The area closest to the stage was reserved for paying residents: $1,000 for the 1st row, $750 2nd row, $500 3rd row, & $250 for seats beyond that. The next section was cordoned off for 1,000 Greenwich residents, That meant there were ~1400 people in front of me. Somehow it just doesn't seem right not to incorporate "fanhood" & distance traveled in seat
assignments if people are to be excluded from certain seats.

That's been an issue at a lot of her shows lately...I'm not liking that one bit, but I am really happy to have something to fret about if it means that our girl is out there strutting her stuff! Obviously, we stayed to maintain our position, as unsatisfactory as it was. Then, the wheelchair, which had been such a burden the whole trip, worked to my advantage & I was able to get wristbands for the 2nd tier
seating!!!Ultimately, It didn't really matter because the 1st tier people all stood up in front of us so I could only occasionally see Ms Ross's head (but what a beautiful sight that was when visible!).

The crowd was very odd. As far as I could tell, there were VERY FEW fans there. Most people around me thought they would "just stop by & see what this was all about."The crowd was very homogenous...men were tanned wearing polo shirts & sunglasses. They all had the same haircut as well. They all had families with them, & the kids & wives
all looked alike. This was the original "Stepford." Everyone was discussing Ms Ross's age (they all underestimated it) & talked about how great she looked. Some of Evan's schoolmates were near us & said he had done some modeling as well as singing & dancing. There was no other gossip to speak of.

At ~8:30, the show started. The set list was similar to the European shows with a few differences. She opened with I'm Coming Out & didn't sing TMH. Also missing were Remember Me :-(, WYTMTYLM :-(,Missing You, Best Years (!), & I'm Still Waiting. The LST B segment was limited to Fine & Mellow and Don't Explain (I'm so glad! :-).

The Supremes songs were sung in their entirety, which still throws me off because I really only know the medley versions :-P. She did NOT sing YKMHO, but she used the ROCKIN' arrangement of Love Child that was used in Europe. Mirror, Mirror is back as it was in Europe (still wondering what happened in Houston). Endless Love no longer
features one of the background singers, which works for me since to me that will always be Quintin's song. Before the song, she asked if we remembered the song, stating she'd been away so long she didn't know if people remembered. That kind of freaked me out because she was stating this about a song that I DO remember (usually this is asked about songs that were released before I was born). She made 2 or 3 costume changes, but I could only see colors (pink then red then white) and then I couldn't see anything.

She very briefly mentioned the Teen Center that was benefitting from the concert, but
she did nothing else to indicate that she was performing ~1 mile from home. I was hoping for more intimacy or something, but there was a lot more interaction with the audience at other shows. The audience seems to be very important in the overall quality of a Ross performance, with shows such as Paris, Ahoy, MSG, & Westbury clearly outshining other shows that I've attended. This audience was flat, average, & so was the show relative to other Ross shows. She seemed to be in good spirits and shined as gloriously as usual.

Understanding that Diana Ross is ALWAYS spectacular on stage, there
was nothing special about this show

Of note, Evan sang Overjoyed with Rhonda & Rodney backing hin up. He has a lovely voice, but the poor guy was off key for the whole song. I've been watching too much American Idol because I kept hearing Simon saying, "You didn't hit a single note!" I suspect it was just anxiety, for he's probably never sung before such a large crowd.
He's got a lot of potential, but he didn't hit it on Thur.

The show was ~1½-2 hours without intermission. The residents of Greenwich who coughed up money for the reception went to meet their neighbor. I went to my hotel for another night of inadequate sleep due to a 6:00 am flight back to Seattle (which was pretty uneventful :-). I chose not to pursue the reception or Ms Ross's
coming or going from it...I've met her several times before, was really tired & limited by the wheelchair, & knew that with 400 people attending the reception I wouldn't have an opportunity to TALK to Diana. Maybe next time.

It was a very hectic 48 hours, but I'm so glad I pulled it off. I am a firm believer in pursuing things that make you happy, and Diana Ross shows are #1 on my list. She makes my life better, & I need a live fix now & then. I'm so blessed to be able to get one. Our girl is back!!!!!!!

Thursday, September 06, 2007

CLASSIC DIVA DIANA ROSS LIGHTS UP HAMPTONS WITH PRIVATE PERFORMANCE


(Hollywood, FL) -- Shining through Saturday's Southampton fog, legendary artist and performer Diana Ross gave 500 thrilled guests a 75-minute private performance, taking them on a trip down memory lane and truly providing them with An Evening Under the Stars to remember. Generously underwritten by Jill Viner and Cliff Viner, the extravagant affair held on August 25 raised more than $550,000 for the Diabetes Research Institute (DRI.) On the grounds of Stony Brook Southampton, Miami-based event virtuoso Barton G. conceptualized, designed and catered THE event of the summer, magically transforming a 20,000-square-foot tent into a lux supper club.

"In my wildest dreams, the event couldn't have been more perfect," hostess Jill Viner said. "The warmth from Diana Ross was such a gift, and the most significant part of the evening was that we all had a common bond and that we were all there with the same goal in mind, to find a cure for diabetes."

During the dinner program, DRI Scientific Director Camillo Ricordi, M.D., addressed the audience, extending sincere gratitude to the Viners and everyone in attendance for their support of the DRI, and emphasizing that the Institute's focus is to cure diabetes in the fastest, safest and most efficient way possible.

Even Ross, herself has had a personal interest in seeing a cure for this devastating disease ever since her father was struck with it. "I am really, really interested in what you are doing," she told the audience.
Ross gave an awe-inspiring performance. Beginning with a slow crescendo from her band, she belted out I'm Coming Out as she emerged from behind curtains, continuing the song with a sparkling smile and the first of three gown changes - a glittering red gown and ruffled wrap. Cheering guests leapt to their feet and began singing along and dancing between tables. Ross regaled her excited fans with 17 of her classic tunes, including "Baby Love," "Stop in the Name of Love," and "Ain't No Mountain High Enough," and in no time, the dance floor in front of the stage was packed with grooving fans.

In the equally enchanting hours preceding the concert, guests first climbed a massive, white carpeted staircase. As glass doors were opened, they entered a cocktail reception where champagne flowed freely and elegant bars in all four corners offered other libations. Creative hors d'oeuvres, such as Asian duck-filled pancakes, mini Chesapeake crab burgers, and ice seared tuna and salmon with lime chili dip, were passed on artful serving platters.

Huge wooden doors separated the cocktail reception from the main event, and when opened, revealed the ballroom's brilliant decor, highlighted by soft colored lighting and wood panel. Fresh roses and orchids adorned each table, encircling the stems of cylindrical-shaded lamps, which changed settings with the touch of a petal.

Dinner began with three huge shrimp and a trio of colorful sauces, followed by grilled New York strip steak with a delectable peppercorn sauce. Desserts included the options of Shake and Cake, a vanilla milk shake in a martini glass with chocolate chip cookie rim and a slice of chocolate layer cake, or a Mini Sundae Trio.

After the main event, a select group of lead sponsors and other VIPs attended an elegant After Party, where they had the rare opportunity to meet and be photographed with Diana Ross herself.

Top sponsors included: Martin Granowitz, President and Owner of Bearings Limited; Rosa and Francis Feeney; Mr. Warren Mosler & Ms. Elizabeth O'Tool; Mr. Sanjiv Sharma & Ms. Nadine Allen; Mr. Paul Singer & Ms. Bonnie Loeb; Roberta and Bruce Waller, Bonnie and Jamie Schaefer, and Marla and Steve Weishoff: in proud recognition of The Rowland & Sylvia Schaefer Family Foundation, Inc.; Brian and Cheryl Coughlin; Mr. Ed & Mrs. Holli Gersh; Marc and Esther Goodman; Kovler Family Foundation; Pernod Ricard USA Champagne & Wines - Brancott Vineyards, Perrier-Jouet, Sandeman(R), and Ysios; Mr. Robert and Mrs. Hiromi Printz; Risa and Jeff Pulver; Randi and Mark Jacobson Charitable Foundation; Neomi and Michael Dezer and Leslie and Ricardo Salmon; Mr. Richard Schwartz & Ms. Marta Aislant; Holly and David Sherr; University of Miami Leonard M. Miller School of Medicine; Hampton Style/Dan's Papers, Hamptons.com , and Wine Spectator.

The Diabetes Research Institute, a center of excellence at the University of Miami Miller School of Medicine, is a recognized world leader in cure-focused research. Since its inception in the early 1970s, the DRI has made significant contributions to the field of diabetes research, pioneering many of the techniques used in islet transplantation. From innovations in islet isolation and transplant procedures to advances in cell biology and immunology, the DRI is now harnessing the power of emerging technologies to develop new cell-based therapies to restore insulin production. For the millions of families already affected by diabetes who are looking to the world of science for answers, the Diabetes Research Institute is the best hope for a cure. For more information, visit www.diabetesresearch.org or call (800) 321-3437.

Founded in 1994 by Barton G. Weiss as an events production company, Barton G. quickly emerged as an international leader in the industry. Today, the company has expanded to include Barton G. The Restaurant, one of South Beach's most desirable dining destinations, off-premise catering, exclusive venues and destination management services. Always, the Barton G. signature is characterized by the delivery of memorable multi-sensory experiences. For more information about Barton G., visit www.bartong.com or call (305) 576-8888.

Wednesday, September 05, 2007

The Supremes Singer's Biographer Writes A Third, More Sympathetic Book about Diana Ross




Diana Ross Revisited
The Supremes Singer's Biographer Writes A Third, More Sympathetic Book


NEW YORK, Sept. 4, 2007

"Diana Ross: A Biography" by J. Randy Taraborrelli takes a more
sympathetic look at the singer's life. (Citadel)

(CBS) Diana Ross is known as much for her unique voice as for her
diva attitude.

Ross first made her name with the Supremes -- the real Dreamgirls --
in the 1960s. Forty years later, she is still a force in the music
business, despite some well-publicized arrests and other incidents.

The recently released book "Diana Ross: A Biography" by J. Randy
Taraborrelli provides an extensive chronicle of the singer's life.

Taraborrelli has been a fan of Ross since he was 12 and founded the
first Supremes international fan club. He wrote two other books about
Ross, but says his third book is much more sympathetic.

"This was a great opportunity for me to take a look at her sort of as
an adult," he told The Early Show co-anchor Julie Chen. "My last book
came out 18 years ago. Since that time, I've written about Elizabeth
Taylor, Grace Kelly, Madonna and, you know, Michael Jackson. It was
an opportunity for me to take a look at Diana from a new perspective.
I looked back and looked at my old interviews with her. Interviews
with her father, her mother, the other Supremes and put into context
her entire life."

He first interviewed Ross when she was 26 and now she is 63.
Taraborrelli said she has changed a great deal over the years and
this book takes the most balanced look at her life. Now he defends
Ross's famed diva behavior because he says it stemmed from fear.

"When she left Motown, in 1980, she did not leave a wealthy woman,"
he said. "She says she had to pay her taxes by borrowing money at
that time in her life. And by that time, she had 18 No. 1 records at
Motown. And it's not to say that Motown didn't pay her the money she
deserved, it's to say that it wasn't very much money. So when she
left the company in the 1980s, she began her own business and she
really didn't know what she was doing and I think a lot of that diva
behavior we heard about in the 1980s and early 1990s came from her
insecurity and fear that she wanted to make sure that she would never
end up in that place again in her life."

Ross has been accused of treating people badly -- especially her
fellow Supremes. But through his research, Taraborrelli said he found
that Ross behaved very selflessly at times. He learned that Ross was
the only person who helped former Supreme Florence Ballard when she
needed money. Ballard died at the age of 32.

"There were many times over the years I wanted to pull Diana aside
and say, 'Listen, you need to defend yourself about these
accusations. You have a point of view. You need to tell it,' " said
Taraborrelli, who used to work as a publicist for the
Supremes. "She's never been the kind of a woman to set the record
straight. She's always been the kind of woman to just keep her eye on
the prize, on her career, and just move forward and not really
respond to criticism. So with this book, I wanted to take a look at
it from her point of view. And I think that it's an interesting way
to go for a biography and for a third book."

Even though he took a sympathetic look at the singer, Taraborrelli
said she didn't collaborate with him because she wasn't very pleased
with his last book, "Call Me Miss Ross," which came out 18 years ago.

Although she has had many hits as a solo artist, Ross and the
Supremes attempted a reunion tour in 2000. It was cut short.
Taraborrelli said Ross and other original Supreme Mary Wilson were
not able to see eye to eye about money so Ross recruited two other
women who worked with the Supremes in the 1970s after Ross had left.
The tour shut down due to poor ticket sales.

"I flew back with the Supremes after closing night. I was able to
find that Diana was devastated by that turn of events," Taraborrelli
said. "The public felt she was trying to force on them a reunion that
was not legitimate. And it really hurt her career."

But last year, Ross came out with her 70th album and it was the top-
selling album on the Billboard charts the week it came out. But
Taraborrelli says the singer's future is bright.

"Forty-five years of a career of ups and downs and she's really a
survivor, you know?" he said. "She survived three books by me so that
tells you something."

© MMVII, CBS Interactive, Inc. All Rights Reserved.

Tuesday, August 28, 2007

Diana Ross on VENETIAN MACAU GRAND OPENING


MACAU (AFP) - The world's largest casino-resort, a gaudy mix of baccarat, shops and Venetian canals, opened here Tuesday aiming toaccelerate Macau's heady transformation from gambling haven to Asia's top entertainment draw.

Thousands of people, some of whom began to queue as early as 1.00 pm, rushed into the casino as the Venetian Macao resort threw its doors open to the public who quickly filled up some of the gaming tables.

Iao Tak-kun, one of the local gamblers who took a day off from work, was among the first to see what he described as "a grand building with European style."

"It looks very beautiful. It's completely different from the rest of the casinos here," the 33-year-old hotel chef said.

"But most importantly, I want to make back the 100,000 dollars I've lost at Sands," a sister casino of the Venetian.

International diva Diana Ross in bright yellow dress was the surprise guest at a variety show and performed three songs, including "Endless Love", before a bunch of firecracks were set off and the door was opened to the public.

The 2.4 billion-dollar Venetian Macao resort, built on a spit of reclaimed land called the Cotai Strip, seeks to capitalise on the casino boom by getting the millions of visitors to stay for more than just a turn at the tables.

With 3,000 hotel rooms, a theatre, a 15,000-seat stadium and 350 shops, as well as the gambling arenas, it is the anchor of the Cotai project to recreate the Las Vegas Strip in the southern Chinese territory.

Sheldon Adelson, chief executive of Las Vegas Sands which is operating the Venetian, said it was "the beginning of what has been a dream of mine."

"We are quite certain we are going to meet the expectations of everybody that has anticipated this arrival," he told reporters.

Adelson said he believes that there is a pent-up demand for the resort and the rest of the Cotai Strip, which will eventually be home to more than a dozen top-end resorts offering more than 20,000 hotel rooms.

The Venetian Macao features 870 gaming tables and 3,400 slot machines -- planned to rise to 6,000 -- on floors as big as three football pitches.

Its shopping mall is woven between three canals, complete with a fleet of gondolas and fake sky.

William Weidner, president of Las Vegas Sands, said he expected the market to change, claiming the new complex offered something radically different from rivals such as Las Vegas-based Steve Wynn and Australia's Crown, who both own casinos here.

"The growth in table games played here have been extraordinary since Sands opened. What this property represents is a whole new market segment drawing people from much further away," he said.

In 2001, Macau liberalised its monopolistic gaming market once dominated by local tycoon Stanley Ho, and Sands was the first major American company to open a casino here in 2004.

Macau has a population of just over half a million, but last year welcomed 22 million visitors -- a figure expected to rise to 26 million in 2007.

Last year, gaming revenues in Macau totaled 7.2 billion dollars, overtaking the Las Vegas Strip for the first time with 6.6 billion dollars.

The territory's continuing expansion means it is also likely to surpass the total gaming take of the greater Las Vegas area this year.

Adelson told AFP he hoped to make back the 2.4 billion-dollar
investment in the Venetian within five years.

The Venetian strategy is to lure Asian families and business clients into longer stays, as well as the high-rolling gamblers who have fueled Macau's boom.

Currently, the average visitor to Macau stays just 1.2 days and Sands want to stretch that to 3.5 days at their resort with world-class entertainment and convention offerings, in the same way that the original Venetian in Las Vegas transformed Nevada.

The shopping mall features luxury brands such as Tiffany and Versace to try to attract wealthy Asians, particularly Chinese, while Sands said that 44 conventions have already been booked at the resort.

Monday, August 27, 2007

Diana Ross at An Evening under The Stars




Supreme Lady in Red - Diana Ross at An Evening under The Stars. Photo by Kurt Leggard


The fog rolled into town but the stars were still shining in Southampton as over 500 people at the An Evening Under the Stars Gala for the Diabetes Research Institute excitedly awaited the supreme diva, Diana Ross. The athletic fields at Stony Brook Southampton were transformed for the evening into a massive tented cocktail area and ballroom by none other than event impresario Barton G. Guest glided up the white carpet covered stairs and entered glass doors into a space dressed in chartreuse upholstered walls, elegant white columns, and sleek white curved bars. Waiters passed delicious lamb chops, mini crab cake sandwiches, and scallops casino and champagne flowed freely. Eager fans tried to sneak a peek into the ballroom but the conscientious security was having none of that – we had to be patient.

As the massive wooden doors opened soft violet and rose colored lighting transformed a once blank white space into a warm and inviting ballroom. Wood panels and more white carpeting gave the room a cozy feel and cascades of tropical orchids elevated the modern décor. Clear chairs and white linens kept the attention on the star for the early part of the evening – the food. Dinner began with a trio of luscious shrimp cocktails and gazpacho. The next course, New York Strip Steak was grilled to perfection and served with a delicious peppercorn sauce. Guests enjoyed their just desserts as a vanilla milkshake and decadent chocolate layer cake appeared with a trio of miniature ice cream sundaes. Champagne and wines donated by Pernod Ricard USA enhanced the delicious evening.

Jill Viner, our gracious hostess, was swathed in a fabulous pink satin ball gown and shimmered as she expressed her heartfelt thanks to all who had come to support the evening. As this cause is dear to her heart she reminisced about her brother, a diabetic, and how she and her husband Cliff Viner are so happy to bring awareness of the epidemic to the spotlight. Then the room began to buzz and we all waited breathlessly for Diana to make her grand entrance.Encased in a fiery red sequin encrusted gown complete with outrageous red chiffon ruffled cape Diana Ross entered the room to thunderous applause belting out, “I’m Coming Out”. Her amazing vocal range and stamina had us all wishing the concert would never end. She was sexy and powerful and her voice was clear, crisp, and filled with emotions. Unlike other performer of her era she still commands the full attention of any room she enters and gives over 100%. The masses were mesmerized as she continued with “Baby Love,” “Stop In The Name Of Love,” “Love Hangover,” “Can’t Hurry Love,” and “Touch Me In The Morning”.

After a quick break and costume change she emerged in a green dress that played up her curves and highlighted her flawless features. Women in the room were green with envy for her traffic-stopping figure. At 63, she had the energy a songbird a third her age and the stage presence and charisma few can match. She continued with “The Boss”, “It’s My House,” “Love Child,” and “Upside Down.” With her signature smile, bedroom eyes, and flirty breathless conversation she held her audience as she performed “Ease on Down the Road” from the musical “The Wiz” in which she starred along side Michael Jackson, Lena Horne, Richard Pryor, and Mabel King.



Another quick change to a provocative black number and she was back for her encores that included “Why Do Fools Fall In Love,” the title song “Theme From Mahogany (Do You Know Where You're Going To)," and the resounding “Ain’t No Mountain High Enough.” She finished her marathon with as much energy as she began with “If You Call My Name.” The room exploded and it was clear that the magical night would be remembered for a very long time indeed. Guests could be heard muttering about how amazing she looked and how unreal she sounded. She seemed as if she could go on all night unfatigued and we wish she would have done just that.

Sunday, August 26, 2007

Diana Ross went out without make-up


Diana Ross went out without make-up this week at the Beverly Hills Hotel, she must have thought there wouldn't be any photograhers around.

more Diana Ross on www.dianarossfanclub.net